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Catherine Opie

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

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Installation view of Catherine Opie at MASP

Selected Works

Photograph by Catherine Opie

Catherine Opie

Untitled #7 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Valley Below (Vernacular), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #13 (Windows), 2024

Photograph by Catherine Opie

Catherine Opie

Blood Grid #1, 2023

Photograph by Catherine Opie

Catherine Opie

No Apology (June 5, 2021), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #2 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #9 (Swamps), 2019

Photograph by Catherine Opie

Catherine Opie

Mirror #1 (The Modernist), 2016

Artist Highlights

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In the Studio with Catherine Opie

Film by Jeremy Eichenbaum, 2024

Gallery Exhibitions

Institutional Exhibitions

Books and Editions

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Gay Pride, 1990
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Catherine Opie
Gay Pride, 1990
1990/2024
Pigment print on Canson Platine paper
16 x 22 inches (image)
20 x 24 inches (paper)
Edition of 25, 2APS
Signed verso

Work is sold unframed. Please allow up to 2 weeks for order to ship out. Any duty and taxes incurred in the country of destination are the responsibility of the purchaser. 

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In celebration of Pride Month, Lehmann Maupin is thrilled to release a new limited-edition print by beloved Los Angeles-based photographer Catherine Opie, who has spent the last three decades examining the construction of identity in America through her own queer lens.  A portion of the sales for this edition will be donated to Callen-Lorde, a New York-based organization dedicated to LGBTQ+ healthcare.

For this limited-edition print, Opie delves into her personal archive to revisit some of her formative years in California. Shot on a 35mm camera during a Gay Pride parade in San Francisco in 1989, this photograph symbolizes a time of liberation in the artist’s life. For Opie, the work captures the freedom that she finally felt in her 20s after coming out and embracing her sexual identity. The image also serves as a powerful reminder to contemporary society of the incredible strides that the LGBTQ+ community has made to protect their rights since the 1980s, especially at a time when these civil liberties are once again being questioned and challenged by policymakers in America.

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This is part of an ongoing series of prints released by Lehmann Maupin, along with Los Angeles Women’s March, 2017.  In both photographs, Opie bears witness to definitive movements in American culture.

We are pleased to offer these works at a 15% discount when purchased together. Shop the bundle here

Press Highlights