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Catherine Opie

Posten Moderne (PoMo)

Trondheim

Jun 25, 2026–Jan 3, 2027

Installation view of Mountains Don't Know Their Names at PoMo

Created in close collaboration with the artist, “Mountains Don’t Know Their Names” brings together a new body of work developed during a three-week road trip through the Norwegian winter landscape in 2024.

Throughout her career, Catherine Opie has explored the relationship between people, place, and identity. In this exhibition, she turns her attention toward Norwegian mountains, fjords, and traces of human presence within the landscape. Rather than traditional landscape photography, the works function almost as portraits of nature itself. Opie describes spending time with each mountain, waiting in changing weather and shifting light in order to understand its particular energy and presence. What began as a search for the distinctive Norwegian blue light gradually evolved into a reflection on landscape, photography, memory, and cultural identity.

Installation view of Mountains Don't Know Their Names at PoMo
Installation Views: 1 of 5
Photograph by Catherine Opie

Catherine Opie

Untitled #1 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #7 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #10 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Purple Mountain, 2024

Installation view of Mountains Don't Know Their Names at PoMo
Installation Views: 1 of 4

Press Highlights

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

Learn about the artist