Skip to content

Catherine Opie

Walls, Windows, and Blood

New York

Feb 8–Mar 9, 2024

Photograph by Catherine Opie

501 West 24th Street

New York, NY 10011

Lehmann Maupin announces Walls, Windows and Blood, the U.S. debut of a recent body of work from acclaimed American photographer Catherine Opie. In this series Opie turns her lens towards the history and architecture of Vatican City. By examining the power systems and architectural structures that exist within the Vatican, the artist engages with both the legacy and present identity of this city within a city, raising critical questions about the history of the Roman Catholic Church and Catholicism and its impact today.

In Walls, Windows and Blood, Opie carefully examines the politics of place as it relates to identity, advancing ideas explored in many of her recent bodies of work including The Modernist (2017), Rhetorical Landscapes (2019), and 2020. While The Modernist dealt with themes of political breakdown and global upheaval, Rhetorical Landscapes pictured a portrait of America through the prism of the physical and political landscape, considering the violent language rife in U.S. political discourse as well as the impending ecological destruction resulting from climate change. In 2020, Opie documented the lead up to the presidential election on a cross country road trip, with photographs taken against the backdrop of the global pandemic and widespread uprising against police brutality. In each of these series Opie seeks to map the complexities of our contemporary moment, especially with respect to the relationship between identity and structures of power, both physical and social.

Installation view of Catherine Opie at Lehmann Maupin New York
Installation Views: 1 of 4

Catherine Opie

Blood Grid #4, 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #13 (Windows), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #9 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #8 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #16 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #1 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #12 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #3 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #12 (Walls), 2023

Photograph by Catherine Opie

Catherine Opie

Blood Grid #1, 2023

Installation view of Catherine Opie at Lehmann Maupin New York
Installation Views: 1 of 4
Photograph by Catherine Opie

Catherine Opie

Untitled #7 (Walls), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #18 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #15 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #10 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #17 (Windows), 2023

Photograph by Catherine Opie

Catherine Opie

Untitled #20 (Windows), 2023

Press Highlights

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

Learn about the artist
Walls, Windows, and Blood | Lehmann Maupin