Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

Anna Park (b. 1996, Daegu South Korea; lives and works in Brooklyn, NY) makes charcoal drawings that teeter between abstraction and figuration, with imagery that homes in on the turbulent and frenzied contemporary experience. Beginning each canvas as an improvisational mark-making dance, Park composes scenes that are gestural snapshots of an over-exposed and self-aware human condition – universal moments and interpersonal exchanges she often laces with signifiers of today’s zeitgeist. In black-and-white works that recall the vigorous energy of the graphic novel and radical fragmentation of Cubism, moments collapse into speed streaks, limbs grasp for one another, and glimpses of familiar faces emerge.

Park is from South Korea but spent her formative years in the US state of Utah – an experience that often positioned her on the outside, looking in. This early lesson in observing from a voyeur’s distance permeates Park’s works today, with an interest and sharp eye for the deep emotive range of the human subject. With visual allegory, recurrent archetypes, and tripes of Americana, Park articulates inner conflict, shame, longing, growth, and mortality within her swirling abstracted tableaus.