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Catherine Opie

National Galleries of Scotland

Edinburgh

Aug 8–Nov 1, 2026

Installation view of To Be Seen at National Galleries of Scotland

73 Belford Road

Edinburgh, EH4 3DS

Curated in collaboration with the artist and touring to Edinburgh from the National Portrait Gallery in London, Catherine Opie: To Be Seen is the first major museum exhibition of Opie's work to be shown in the UK and her first ever solo exhibition in Scotland.

Discover nearly 80 portraits by Opie alongside a selection of portraits from Scotland’s national collection, prompting questions around the who, why and how of portraits. Come face to face with Opie's mentors and collaborators, queer communities, children, surfers, high school footballers and political crowds that she makes visible through her work, as well as self-portraits of Opie herself.

Installation view of To Be Seen at National Galleries of Scotland
Installation Views: 1 of 12
Photograph by Catherine Opie

Catherine Opie

Raelyn Gallina, 1994

Installation view of To Be Seen at National Galleries of Scotland
Installation Views: 1 of 12
Photograph by Catherine Opie

Catherine Opie

Julie & Pigpen, 2012

Photograph by Catherine Opie

Catherine Opie

David, Austin, and Bryant, 2009

Photograph by Catherine Opie

Catherine Opie

Pig Pen, 1993

Photograph by Catherine Opie

Catherine Opie

Mirror #4 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Diana, 2012

Books and Editions

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).