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Catherine Opie

National Portrait Gallery

London

Mar 5–May 31, 2026

Photograph by Catherine Opie

Catherine Opie: To Be Seen will showcase photographic portraits by the American artist Catherine Opie. The exhibition, curated in collaboration with the artist, will be the first major museum exhibition of her work in the UK.

Opie’s work questions representations of home, intimacy and family, and on a national and international level explores politics, identity and power structures.

Installation view of To Be Seen at National Portrait Gallery
Installation Views: 1 of 5
Photograph by Catherine Opie

Catherine Opie

Raelyn Gallina, 1994

Photograph by Catherine Opie

Catherine Opie

Robert Blanchon, 1996

Photograph by Catherine Opie

Catherine Opie

Julie & Pigpen, 2012

Photograph by Catherine Opie

Catherine Opie

David, Austin, and Bryant, 2009

Photograph by Catherine Opie

Catherine Opie

No Apology (June 5, 2021), 2023

Photograph by Catherine Opie

Catherine Opie

Mary, 2012

Photograph by Catherine Opie

Catherine Opie

Kate & Laura, 2012

Installation view of To Be Seen at National Portrait Gallery
Installation Views: 1 of 5
Photography by Catherine Opie

Catherine Opie

John, 2013

Photograph by Catherine Opie

Catherine Opie

Math, 2012

Photograph by Catherine Opie

Catherine Opie

Guillermo & Joaquin, 2013

Photograph by Catherine Opie

Catherine Opie

Diana, 2012

Photograph by Catherine Opie

Catherine Opie

Untitled #2 (Boy Scout Jamboree), 2010

Photograph by Catherine Opie

Catherine Opie

Mirror #4 (The Modernist), 2016

Press Highlights

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

Learn about the artist