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Catherine Opie

The Fridericianum

Kassel

Feb 14–Jul 19, 2026

Photograph by Catherine Opie

Questions about what defines a person, what influences shape their character, how it is possible to break free from the determining influences of society, and what alternative lifestyles could be realistic options are all questions that form the core framework of Catherine Opie’s artistic practice. Since the early 1990s, the artist has been working on a complex body of work that includes photographs in particular, but also films, art books, and installations. Beyond the norm, it points to a variety of possible responses. Born in 1961 in Sandusky, Ohio, and now living in Los Angeles, Opie draws on the traditions of 20th-century socially engaged photography while at the same time giving it a far-sighted, sensitive update. In so doing, she establishes her own unique visual language and aesthetic, which—together with the social relevance of her themes—contributes to her being one of the most influential figures of the present day. Indeed, it is against this backdrop that Opie held a professorship in photography at the University of California, Los Angeles, from 2001 to 2023.

The Fridericianum is now presenting Catherine Opie’s first institutional solo exhibition in Germany, concurrently with the artist’s show at the National Portrait Gallery in London. The presentation in Kassel is designed by the artist as a site-specific installation in which she enters into a dialogue with the architecture and history of the historic building. On display are key series of works spanning a period of over thirty years: from early portrait photographs in the LGBTQIA+ communities to photographic series that explore landscapes as resonant spaces for identity, hopes, and traumas, and from documentation of movements such as Black Lives Matter to protest marches in the context of Donald Trump’s presidency.

Photograph by Catherine Opie

Catherine Opie

Untitled #10 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #9 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #5 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Raelyn Gallina, 1994

Photograph by Catherine Opie

Catherine Opie

Robert Blanchon, 1996

Photograph by Catherine Opie

Catherine Opie

Untitled #2 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #7 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #6 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #3 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #8 (Swamps), 2019

Photograph by Catherine Opie

Catherine Opie

Untitled #7 (Swamps), 2019

Film still by Catherine Opie

Catherine Opie

The Modernist, 2017

Photograph by Catherine Opie

Catherine Opie

Sheats-Goldstein #1 (The Modernist), 2016

Film still by Catherine Opie

Catherine Opie

Sheats-Goldstein #4 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Mural by Stosh Fila (aka Pig Pen), 2016

Photograph by Catherine Opie

Catherine Opie

Untitled #9, 2013

Photograph by Catherine Opie

Catherine Opie

Untitled #1 — #8 (Political Collage), 2019

Press Highlights

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

Learn about the artist
The Pause That Dreams Against Erasure | Lehmann Maupin