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Catherine Opie

A Study of Blue Mountains

New York

Apr 3–May 10, 2025

Photograph by Catherine Opie

501 West 24th Street

New York, NY 10011

Lehmann Maupin is pleased to present Catherine Opie: A Study of Blue Mountains, a solo exhibition of new photographs and ceramic sculptures by the Los Angeles-based artist, on view April 3–May 31, 2025 in New York. Opie’s latest exhibition marks the New York debut of the artist’s Norwegian Mountain series, her newest body of work to date. The works, the artist has noted, are a meditation on “how the history of blue is used in art…about blue as a mourning as the planet changes so rapidly.” Looking at color and landscape, Opie imbues the images in A Study of Blue Mountains with a sense of the sublime.

This exhibition at Lehmann Maupin comes on the heels of the artist’s first major solo exhibition in Brazil, Catherine Opie: Genre/Gender/Portraiture, curated by Adriano Pedrosa, Artistic Director, and Guilherme Giufrida, Assistant Curator, which closed last fall at The Museu de Arte de São Paulo (MASP). Catherine Opie: A Study of Blue Mountains precedes an exhibition of the Norwegian Mountain series at the Posten Moderne in Trondheim, Norway, as well as a major solo show at the National Portrait Gallery in London, both opening in 2026.

For over four decades, Opie has been celebrated for her intimate portraiture and exploration of community and identity. Landscape has also been a central focus of her practice, spanning urban freeways, strip malls, Pacific Ocean surfers, and frozen Minnesota lakes, each reflecting her broader engagement with place and belonging. In this new body of work, Opie looks to the Norwegian landscape—long a source of inspiration for the artist—creating a powerful study of the rich range of blues found in the gradient variations within the Northern sky and the cascade of light blanketing the region's most majestic mountains. Opie’s images emphasize a deeper, more personal interpretation of the color’s effect, in which the blue mountains symbolize an ascendance toward nature, and in turn, the power, grandeur, and change to nature itself.

Installation view of Catherine Opie at Lehmann Maupin New York
Installation Views: 1 of 3
Photograph by Catherine Opie

Catherine Opie

Untitled #7, (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #5 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #10 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #9 (Norway Mountain), 2024

Photograph by Catherine Opie

Catherine Opie

Untitled #8 (Norway Mountain), 2024

Ceramic sculpture by Catherine Opie

Catherine Opie

Mountain #6 (Before), 2023

Ceramic sculpture by Catherine Opie

Catherine Opie

Mountain #7 (Before), 2023

Ceramic sculpture by Catherine Opie

Catherine Opie

Mountain #13 (Before), 2023

Installation view of Catherine Opie at Lehmann Maupin New York
Installation Views: 1 of 3
Sculpture by Catherine Opie

Catherine Opie

Mountain #5 (Before), 2023

Ceramic sculpture by Catherine Opie

Catherine Opie

Mountain #8 (Before), 2023

Ceramic sculpture by Catherine Opie

Catherine Opie

Mountain #11 (Before), 2023

Ceramic sculpture by Catherine Opie

Catherine Opie

Mountain #9 (Before), 2023

Ceramic sculpture by Catherine Opie

Catherine Opie

Mountain #12 (Split-Mountain, Before), 2023

Press Highlights

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

Learn about the artist
A Study of Blue Mountains | Lehmann Maupin