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Do Ho Suh

Portrait of Do Ho Suh

Do Ho Suh (b. 1962, Seoul, Korea; lives and works in London, United Kingdom) works across various media, creating drawings, film, and sculptural works that confront questions of home, physical space, displacement, memory, individuality, and collectivity. Suh is best known for his fabric sculptures that reconstruct to scale his past and present homes and studios in Korea, Rhode Island, Berlin, London, and New York.

Suh is interested in the malleability of space in both its physical and metaphorical forms, and examines how the body relates to, inhabits, and interacts with that space. He is particularly interested in domestic space and the way the concept of home can be articulated through architecture that has a specific location, form, and history. For Suh, the spaces we inhabit also contain psychological energy, and in his work he makes visible those markers of memories, personal experiences, and a sense of security, regardless of geographic location.

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Do Ho Suh at Tate Modern

Selected Works

Sculpture by Do Ho Suh

Do Ho Suh

Public Figures, 1998

Sculpture by Do Ho Suh

Do Ho Suh

Karma, 2010-2017

Sculpture by Do Ho Suh

Do Ho Suh

Hub, 260-7 Sungbook-Dong, Sungbook-Ku, Seoul, Korea, 2017

Drawing by Do Ho Suh

Do Ho Suh

Staircase, 348 West 22nd Street, New York, NY 10011, 2017

Wall work by Do Ho Suh

Do Ho Suh

Self-Portrait/s, 2007-2021

Wall work by Do Ho Suh

Do Ho Suh

Doorknobs: Horsham, London, New York, Providence, Seoul, Venice Homes, 2021

Installation by Do Ho Suh

Do Ho Suh

Jet Lag, 2022

Highlights

0:00 / 0:00

The Making of Fallen Star, 2015

The Stuart Collection at University of California San Diego

Gallery Exhibitions

Institutional Exhibitions

Books and Editions

Anatomy

MACK

Anatomy

$120

Hardcover with deckled edges
20 x 25 cm, 504 pages

ISBN 978-1-915743-67-1
April 2025

Learn More

Over a career spanning more than thirty years and a vast array of mediums, Korean-born artist Do Ho Suh’s work has circled around a constellation of recurring themes: memory, belonging, domesticity, corporeality, monuments, and collectivity. 

Anatomy is the first comprehensive survey of this interrelated and expanding body of work. It brings together renowned works such as his astonishing 1:1 fabric recreations of buildings and interiors with drawings, sculptures, installations, films, and speculative research projects. Here they are grouped by themes and mediums into lyrical sequences that reflect the importance of process and evolution to Suh’s practice. New essays by Rachel Armstrong, Douglas Fogle, Lynne Tillman, Renee Gladman, Hugh Brody, Penelope Haralambidou, Amie Corry, and Jung-Ah Woo reflect on and respond to Suh’s work from a variety of perspectives, while an extended conversation between Suh and Tavares Strachan prefaces the book, completing an authoritative and immersive reference to one of the world’s foremost working artists. 

Press Highlights