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Robin Rhode

Haus der Kunst

Munich

Sep 16, 2007–Jan 6, 2008

Installation view of Walk Off at Haus der Kunst

Munich

Robin Rhode was born 1976 in Cape Town and grew up in the South African Johannesburg – a city with the highest crime rate in the world. Already in 1997 Rhode began to work artistically – his source of inspiration and the arena for his art was, and still is today, the street.

Whether a wall in Johannesburg or a pavement in Berlin – Rhode temporarily occupies surfaces found in public spaces, draws objects with chalk on these and then interacts with the drawings: He draws a bicycle on the floor and tries to push it; he draws a car on a wall and tries to break into it with a crowbar.These unique connections between drawing and performance are characteristic for Robin Rhode’s art: The imaginary drawn space becomes reality because the artist treats it like reality. A central theme in his art is thereby the common human trait of wishful thinking, a desire for something; in his performance "The Score" it is a live appearance of a band: Rhode draws trumpet, bass and drum kit on a wall and then ‘plays’ – along to appropriate melodies and sounds that run in the background – on these instruments. Through his interaction with the merely imagined and drawn, Rhode creates a whole new, artistic reality, which is its own fulfilment: "Sometimes if you have nothing, you actually have everything." (Robin Rhode)

Installation view of Walk Off at Haus der Kunst
Installation Views
1 of 9:
Installation view of Walk Off at Haus der Kunst
Installation Views
1 of 8:
Portrait of Robin Rhode

With his research-based and socially engaged practice, Robin Rhode (b. 1976, Cape Town, South Africa; lives and works in Berlin, Germany) engages the urban landscape to create complex, symbolically rich narratives that disrupt and transform their environments.

The artist is best known for his multi-panel works that deftly combine photography, performance, wall painting, and drawing. Negotiating the urban landscape, these photographs often depict silhouetted figures interacting with carefully composed wall paintings that the artist paints in public spaces, most often in the city of Johannesburg. In each succession of photographs, the choreographed movements of the individual or group appear to alter the two-dimensional renderings, compressing space and time and morphing the urban landscape into a fictional storyboard. Using the medium of photography to capture his painted and performative actions, Rhode disrupts the fixity of the wall, rendering it a mobile substrate that can be transported into a variety of contexts.