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曼迪·埃爾—薩伊

Still, evident (notes on dreams)

Palm Beach

3月11日–2022年4月10日

Painting by Mandy El-Sayegh

When I was little I believed that if I looked
at something long enough I could make it
alive.
Though the more I looked, the less eyes
understood the thing, so then I knew I’s are
no thing.
There is no I or land.invision. Someone
once said memory is the fourth dimension
of any landscape so we insist in this space
even if we’re not allowed PTSD as we are
too present without name. Soul; there’s
nothing and they still jealous. Freud had
said the Irish race are immune to analysis
because they exist in the dreamworld
already. This was never officially cited.
I. ReappearindreAm
All the registers merge in

Painting is the Queens English, a
Superimposition; all those events
compacted. Solid. Barging through the
Suez.Sussanah.Oh,orchards.
Mark my body, mark the words despite
they slip. This is drawing.
They can be a minimum with sweet intent.
Maybe someone can see them.

Installation view of Mandy El-Sayegh at Lehmann Maupin Palm Beach
Installation Views: 1/3
Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Dream Recall (talk to me during), 2022

Drawing by Mandy El-Sayegh

曼迪·埃爾—薩伊

Wholesome, 2021

Drawing by Mandy El-Sayegh

曼迪·埃爾—薩伊

Dream Recall (sleeping upstairs), 2022

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Selling Sunset, 2022

Installation view of Mandy El-Sayegh at Lehmann Maupin Palm Beach
Installation Views: 1/3
Drawing by Mandy El-Sayegh

曼迪·埃爾—薩伊

Dream Recall (talking upstairs), 2021

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

The fighting temeraire, 2022

Drawing by Mandy El-Sayegh

曼迪·埃爾—薩伊

Dream Recall (helmet heads), 2021

Drawing by Mandy El-Sayegh

曼迪·埃爾—薩伊

Dream Recall (semi colon), 2022

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Logic of Transparency, 2022

曼迪·埃爾—薩伊

Moonlight on lake lucerne, 2022

Portrait of Mandy El-Sayegh

曼迪·埃爾—薩伊(1985年生於馬來西亞,現工作及居於倫敦)高度過程驅動的藝術實踐始於對材料及語言的探索,她的創作形式包括富層次的繪畫、雕塑、裝置、圖像、聲音和影像,埃爾—薩伊的作品探討了體制的形成和瓦解,包括身體、語言或是政治上的意義。藝術家對探索「局部—整體」關係尤感興趣,她運用乳膠、橡膠和黏土等有機物的材料把不同的碎片、文本和現成圖像分層及拼湊,具體地證明了重要的事物往往是由微小的互動或重複而產生的。埃爾·薩伊相信,簡單的重複性圖案(例如手繪網格或幾何模型)會製造出不同形式而且令人出乎意料的敘述性組合。

埃爾—薩伊將她的探索性觀察過程聯繫當代社會和政治事件,這些事件往往以混亂且令人不安的方式發生,而對此類事件的辯護或解釋通常是事件發生之後,目的是整理我們主觀和不完整的社會、文化和政治進程。藝術家的作品旨在揭開這些重疊結構的面紗,並揭示它們的複雜性。 埃爾—薩伊對觀察的(科學和自我)過程很感興趣,她相信通過這樣的觀察,人們可以更好地理解塑造我們世界的社會和政治現像,如何以恆久的狀態不斷變化。

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Still, evident (notes on dreams) | Lehmann Maupin