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Catherine Opie

The Modernist

New York

Nov 1, 2018–Jan 12, 2019

Installation view of Catherine Opie at Lehmann Maupin New York

501 West 24th Street

New York, NY 10011

Lehmann Maupin is pleased to announce Catherine Opie’s next exhibition with the gallery, The Modernist. The photography series and related film—Opie’s first—offer a distinct narrative arc as they follow a fictional artist character on an arsonist spree across Los Angeles, targeting the city’s iconic modernist buildings. The 21:44 minute photo-roman is comprised of 852 black-and-white photographs, and builds off the formal legacy of Chris Marker’s revolutionary La Jetée (1962). A work that envisions memory, dystopia, and the postapocalyptic world through still photographs, Marker’s film is apt art historical inspiration for Opie’s observation on the volatility and disjoint in present day America. The gallery will host an opening reception for the artist at 501 West 24th Street, from 6 to 8 PM.

Opie’s adopted city of Los Angeles, her home since 1988, has long served as a formal and conceptual landscape in her photography, capturing its architectural artery in Freeways and cultural outposts in Mini Malls in the early 1990s, and more recently, its range of influential and famous residents, from Elizabeth Taylor to John Baldessari. Despite her obvious devotion to the city and formal interest in capturing its contrast and depth, Opie remains a realist, offering The Modernist as a portrait of a symbolic “other” in an American society committed to a dream that is increasingly becoming a nightmare.

Installation view of Catherine Opie at Lehmann Maupin New York
Installation Views: 1 of 3
Film still by Catherine Opie

Catherine Opie

The Modernist, 2017

Photograph by Catherine Opie

Catherine Opie

Mural by Stosh Fila (aka Pig Pen), 2016

Photograph by Catherine Opie

Catherine Opie

Mirror #1 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Mirror #4 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Match fire #2 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Sheats-Goldstein #1 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Mirror #2 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Arsonist (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Model fire #1 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Chemosphere model (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Match fire #1 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Match fire #3 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Match fire #4 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Match fire #5 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Chemosphere #3 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Sheats-Goldstein #3 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Artist #1 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Artist #2 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Artist #3 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Mural Study #1 (The Modernist), 2016

Catherine Opie

Mural Study #2 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Mural Study #3 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Mural Study #4 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Mural Study #5 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Sheats-Goldstein #2 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Chemosphere #2 (The Modernist), 2016

Photograph by Catherine Opie

Catherine Opie

Chemosphere #1 (The Modernist), 2016

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

Learn about the artist