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Catherine Opie

Rhetorical Landscapes

New York

Jul 6–Sep 26, 2020

Photograph by Catherine Opie

501 West 24th Street

New York, NY 10011

Lehmann Maupin is pleased to announce Rhetorical Landscapes, a presentation of new political collages and landscape photographs by Los Angeles-based artist Catherine Opie. This exhibition, featuring large-scale photography and stop motion animations, examines our current climate, both political and ecological, through digital collages of magazine clippings and photographs of the Okefenokee swamp land. Taken together, these works create a portrait of contemporary America—plagued by the divisive and violent rhetoric used by our current administration and facing looming ecological destruction due to climate change, which is especially threatening for the wetlands Opie features here.

One of the most significant American photographers of her generation, Opie has produced over two decades of work that examines and often exposes the ideals and norms surrounding American identity and the concept of the “American Dream” while giving visibility to communities overlooked within those narratives. She first gained recognition during the 1990s for her series of studio portraits titled Being and Having, in which she photographed gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has also traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects including L.A.’s freeway system, high school football players, the 2008 presidential inauguration, and U.S. National Parks. In her portraits and landscapes, Opie often establishes levels of ambiguity—of identity and place—through manipulating the focus of her images through cropping, blurring, intense close ups or distance shots, and playing with orientation, often swapping landscape and portrait formats.

Installation view of Catherine Opie at Lehmann Maupin New York
Installation Views: 1 of 3
Photograph by Catherine Opie

Catherine Opie

Untitled #7 (Swamps), 2019

Photograph by Catherine Opie

Catherine Opie

Untitled #9 (Swamps), 2019

Photograph by Catherine Opie

Catherine Opie

Untitled #1 (Swamps), 2019

Photograph by Catherine Opie

Catherine Opie

Untitled #2 (Swamps), 2019

Video work by Catherine Opie

Catherine Opie

Untitled #1 (Political Collage), 2019

Photograph by Catherine Opie

Catherine Opie

Untitled #3 (Swamps), 2019

Video work by Catherine Opie

Catherine Opie

Untitled #4 (Political Collage), 2019

Installation view of Catherine Opie at Lehmann Maupin New York
Installation Views: 1 of 2
Photograph by Catherine Opie

Catherine Opie

Untitled #6 (Swamps), 2019

Video work by Catherine Opie

Catherine Opie

Untitled #7 (Political Collage), 2019

Photograph by Catherine Opie

Catherine Opie

Untitled #8 (Swamps), 2019

Video work by Catherine Opie

Catherine Opie

Untitled #8 (Political Collage), 2019

Photograph by Catherine Opie

Catherine Opie

Untitled #4 (Swamps), 2019

Photograph by Catherine Opie

Catherine Opie

Untitled #5 (Swamps), 2019

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

Learn about the artist