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Art Basel OVR: Portals

Online & Lehmann Maupin

Jun 16–19, 2021

Photograph by Catherine Opie

Online & Lehmann Maupin

New York, NY

In monument/monumental, a suite of seven new large format works from 2020, Catherine Opie examines the fragility, beauty, and power of the American landscape–and American identity–during this pivotal moment in time. Over the course of her decades-long career Opie has traveled extensively across the country, exploring the diversity of America’s communities and landscapes and documenting quintessential American subjects ranging from high school football players to the 2008 presidential inauguration. Today, amidst the backdrop of the global pandemic, the nation’s devastating rise in unemployment, the Black Lives Matter movement and public uprisings against police violence, and the lead up to the critical 2020 United States presidential election, Opie again embarked on a road trip–this time across the country in a newly purchased RV–to document the people, places, and landmarks that have become the visual markers of the country’s upheaval. The resulting images not only bear witness to this moment, but also offer a poetic expression of the emotional and psychological dimensions of the complexity of American identity. Lehmann Maupin will present this group of seven works in person at the gallery’s 501 West 24th street location in New York, coinciding with the online viewing room.

Photograph by Catherine Opie

Catherine Opie

Untitled #2 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #3 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #5 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #6 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #7 (monument/monumental), 2020

Photographs by Catherine Opie

Catherine Opie

Untitled (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #1 (monument/monumental), 2020

Photograph by Catherine Opie

Catherine Opie

Untitled #4 Richmond, Virginia (monument/monumental), 2020

Portrait of Catherine Opie

Catherine Opie (b. 1961, Sandusky, OH; lives in Los Angeles, CA) is known for her powerfully dynamic photography that examines the ideals and norms surrounding the culturally constructed American dream and American identity. She first gained recognition in the 1990s for her series of studio portraits, photographing gay, lesbian, and transgender individuals drawn from her circle of friends and artists. Opie has traveled extensively across the country exploring the diversity of America’s communities and landscapes, documenting quintessential American subjects—high school football players and the 2008 presidential inauguration—while also continuing to display America’s subcultures through formal portraits. Using dramatic staging, Opie presents queer and trans bodies in intimate photographs that evoke traditional Renaissance portraiture—images of power and respect. In her portraits and landscapes, Opie establishes a level of ambiguity of both identity and place by exaggerating masculine or feminine characteristics, or by exaggerating distance, cropping, or blurring her landscapes.

Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at Museum of Art São Paulo (MASP), São Paulo, Brazil (2024); Heide Museum, Melbourne Australia (2023); The Current Now, Stowe, VT (2022); Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Museum of Contemporary Art (MOCA), Cleveland, OH (2019); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Centro Internazionale di Fotographia, Palermo, Italy (2018); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000).

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Art Basel OVR: Portals | Lehmann Maupin