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Biennale, what to see and what to forget

 

The courageous choices of Cecilia Alemani
Easy choice of the Italian Pavilion with two personal three powerful enough to impose itself even in wealthy waterfront views. If the curatorial selection of Cecilia Alemani was well oriented towards the exploration of a long banished from the critical area like magic, the supernatural, the artists have definitely risen to the challenge. Firstly by Roberto Cuoghi that in an alienating environment, inside a transparent plastic corridors, sends in a factory scene for Christ sculptures that, realized with the most different materials, however they are all of the same shape and size. Brave then choosing Giorgio Andreatta Calo who wanted to saturate the architectural space, dark, with the most basic elements, scaffolding poles: together they build the base of an inverted platform that, with a few centimeters of water, to overthrow our perspective on the real.