Lehmann Maupin is excited to announce that our Chelsea gallery is relocating from 540 West 26th Street to 536 West 22nd Street, the former home of Sonnabend Gallery.
This move is part of a significant two-part plan for Lehmann Maupin's presence in Chelsea—a second gallery will be announced in the near future. Lehmann Maupin will present its first exhibition in the new space at 536 West 22nd Street in late February 2015.
Teresita Fernández: As Above So Below
Teresita Fernández’s largest solo exhibition to date, As Above So Below, on view through March 2015 at MASS MoCA, combines graphite and gold to create a series of immersive, interconnected installations whose scale shifts from intimate to vast, from miniature to panoramic.
Describing a universe in balance, the phrase “as above, so below” originates from the ancient Hermetic tradition central to alchemy, in which every action occurring on one level of reality (physical, emotional, or mental) correlates to every other. The exhibition demonstrates the artist’s remarkable ability to transform materials and their surrounding architecture into an enveloping perceptual experience.
Live On: Mr.'s Japanese Neo-Pop
Seattle Art Museum
Live On: Mr.'s Japanese Neo-Pop, organized by the Seattle Art Museum, presents Mr.'s art of the past 15 years and is his first solo exhibition in a U.S. museum.
The devastating disaster of the March 11, 2011 tsunami and the nuclear accident afterwards were both a shock and inspiration for Japanese Neo-Pop artist Mr. In response, he composed a massive installation made of hundreds of everyday objects from Japanese life. It’s the central work in this exhibition, presented with a series of new paintings and other work. A reminder of the debris that blanketed the Tohoku area in the aftermath of 3.11 tsunami and earthquake, the installation embodies the post-disaster fear and frustration of the Japanese people since the catastrophic events.
©2012 Mr./Kaikai Kiki Co., Ltd. All Rights Reserved.
Institute of Contemporary Art/Boston
The ICA presents Adriana Varejão, one of Brazil’s leading artists, in her first solo museum show in the United States. The exhibition spans the period from 1993 to the present and includes several series of work.
Norton Museum of Art
Klara Kristalova will be in conversation with Cheryl Brutvan, Director of Curatorial Affairs and Curator of Contemporary Art at the Norton Museum, on December 2nd, 2014 at 3pm. The talk is in conjunction with her exhibition Turning into Stone.
Klara Kristalova: Turning into Stone
Norton Museum of Art
Klara Kristalova's Turning into Stone is the fourth presentation of the Norton Museum's Recognition of Art by Women (RAW) exhibition series dedicated to supporting women artists.
Hovering between fiction and reality, Kristalova gives form to abstract ideas evolving from memories and observations of the human condition. Her expressive characters are both seductive and disarming, reflecting the poignant and sometimes harsh events that make up our lives. This will be the first solo museum exhibition of Kristalova’s work outside of Sweden.
Kader Attia: Continuum of Repair: The Light of Jacobs Ladder
Kader Attia’s new work of art is inspired by the religious story of Jacob’s vision of angels ascending to heaven, as well as by the space itself which is steeped in history as a former library.
Inside his extraordinary library made specially for the Whitechapel Gallery lies a warmly lit cabinet of curiosities above which a vast mirror reflects a beam of light, transforming it into rungs of a ladder to infinity. A series of marble busts of wounded soldiers from World War I and repaired North African wooden learning boards (ketab) observe this towering structure of bookshelves filled with centuries of accumulated human knowledge.
Collages, sculptures, wall drawings and multi-media installations reflect on processes of repair, which the artist sees as an underlying principle of development in culture as in nature.
Nari Ward: Rooted Communities
Nari Ward's exhibition Rooted Communities at the Louisiana State University Museum of Art has been extended through January 18, 2015.
Rooted Communities coincides with Ward's residency as LSU College of Art + Design's prestigious Nadine Carter Russell Chair and features a group of the artist’s sculptures, works on paper, and mixed-media installations. Ward's powerful yet delicate works articulate multi-layered issues that affect all communities—economics, poverty, race, culture, and how these factors shape a society. Using discarded objects he collects from his local environment, Ward's work gives a presence and new life to these unwanted or forgotten items, the underlying meaning changing within the context of its presentation.The exhibition includes twenty-five of Ward's works spanning the past decade, as well as a new work created during Ward’s residency at LSU.
Do Ho Suh
The Contemporary Austin
Architectural settings and abstracted figures inspired by the artist’s biography serve as the central tenets of Do Ho Suh’s practice, highlighting the porous boundary between public and private space as well as notions of global identity, space, nomadism, memory, and displacement.
For The Contemporary Austin, the artist renders a multipart installation for the Jones Center and Laguna Gloria exploring these themes, combining existing work with newly commissioned aspects and including architectural structures, documentary films, and drawings and related models.
Roberto Cuoghi: da iḍā e piṅgalā a iḍā e iḍā o piṅgalā e piṅgalā
Kader Attia: Culture, Another Nature Repaired
French-Algerian artist Kader Attia presents his first solo museum project in Belgium at the Middelheim Museum.
The exhibition Culture, Another Nature Repaired at the Middelheim Museum consists of two parts. First, a new series of busts, created with the help of traditional craftsmen in Bamako (Mali) and Brazzaville (Congo). They were inspired by a series of photographs of les gueules cassées (the broken faces): soldiers badly disfigured in the First World War, many of whom were drafted from the colonies. Second, an installation containing more than 350 cymbals, which debuted that year at Les Tuileries in Paris.
Lee Bul wins the Noon Award
2014 Gwangju Biennale
Lehmann Maupin congratulates Lee Bul on winning the Noon Award at the 2014 Gwangju Biennale. The award is given to an established artist who has produced the most experimental and creative work that embodies the theme of this year's biennale.
The Noon Award panel of judges includes Hong-Hee Kim, Okwui Enwezor, Jean de Loisy, Bartomeu Mari, and Wong Shun-Kit. The tenth edition of the Gwangju Biennale is curated by Jessica Morgan, the Daskalopoulos Curator, International Art at Tate Modern.
Gilbert & George: Art Exhibition
Nouveau Musée National de Monaco -Villa Paloma, Monaco
Nouveau Musée National de Monaco (NMNM) presents a major exhibition of the art of Gilbert & George, running from June 14-November 2, 2014. Forty-six historical and recent pictures tracing more than 40 years of creation will be shown in a presentation designed by the artists on the three floors of Villa Paloma. This unique exhibition comprises pictures from a single private collection of a family based in Monaco. The works fall into a theme repeatedly addressed by the NMNM, that of a “built” landscape, subject of analysis and interpretation for a society that constantly changes. Through this selection, each viewer will see how the art of Gilbert & George comprises both a world of its own – intense, frightening, lonely, loving, abject, joyous, struggling, defiant, crazed, still, contemplative, vertiginous, desiring, modern – and a view of the past, present, and future world.
Jennifer Steinkamp: Judy Crook, 4
Museum of Contemporary Art Cleveland
Judy Crook, 4 (2014) will be installed in MOCA Cleveland’s Gund Commons, an open-access space for the public. The limbs of the tree are laden with colorful, shimmering blossoms which repeatedly flower and mature; then fall as the leaves grow lush and green, and the cycle continues. An illusion of depth is created as the branches seem to stretch into the museum; transporting the viewer and creating a meditative experience.
Kader Attia joins Lehmann Maupin
Lehmann Maupin is pleased to announce that Kader Attia, the Berlin-based, multi-disciplinary artist has joined the gallery. The artist will present his debut solo exhibition with Lehmann Maupin at both gallery locations in New York this November.
Tracey Emin honored with RNLI's Innovation Award
British artist Tracey Emin will be honored with the Royal National Lifeboat Institution's Innovation Award on Thursday at London's Barbican Centre.
The RNLI is the charity that saves lives at sea, providing 24-hour lifeboat search and rescue service around the UK and Ireland, and a seasonal lifeguard service.
Emin was approached by James Stephenson, who swam the English Channel in 2013 for the RNLI, to create a painting to raise money for the lifeboat charity. Using her childhood memories of growing up by the sea in Margate, the artist created an original painting of a lifeboat preparing to launch, which sold for £30,000. In addition to the painting, she sold 250 prints for £350 each, raising over £100,000 in total.
The newly inaugurated headquarters for the United States Coast Guard in Washington, D.C. includes a large-scale installation by Teresita Fernández. Basing the work’s concept on a navigational start chart, Fernández sought to create a work that would express the Coast Guard’s mission and identity while responding to the architectural conditions of the space. The artist was particularly intrigued by the idea of the night sky as a surface that we have always looked to for orientation and information, and how this relates to the history of maritime navigation. The work takes advantage of the abundant light in the space and will look subtly different throughout the day and year in response to the ever-changing conditions. To view a time-lapse video of the installation, please click here.