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Juergen Teller

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Purple Magazine

September 24, 2016

News

Juergen Teller & Xiang Jing Champ Magazine

September 30 2015

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Baccarat

June/August 2015

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Musée Magazine

November 2014

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Artinfo Shock of the Nude: Juergen Teller Photographs Go on View at the ICA

February 6, 2013

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London Evening Standard

January 23, 2013

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Artinfo

January 22, 2013

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The Guardian

January 5, 2013

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Artforum

January 2013

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Style.com

September 12, 2012

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Style.com

March 30, 2012

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Nowness

February 20, 2012

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Artinfo

February 13, 2012

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New York Magazine

February 11, 2012

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Vogue

February 9, 2012

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Harper's Bazaar

February 8, 2012

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Hint Magazine

January 31, 2012

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Dallas Contemporary

August 31, 2011

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T Magazine

July 28, 2011

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Dallas Observer

May 19, 2011

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The Block

January 20, 2011

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New York Times

January 11, 2011

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W Magazine

October 31, 2010

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Artforum

December 3, 2009

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The New York Times

September 25, 2009

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Vanity Fair

September 21, 2009

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The Moment: The New York Times Blog

September 1, 2009

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W

August 31, 2009

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New York Magazine Straight Shooter

August 17, 2008

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The New York Times

April 10, 2008

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Modern Painters

March 1, 2006

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Women's Wear Daily

January 17, 2006

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Artforum

January 1, 2005

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Time Out New York

October 9, 2003

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Art Newspaper

September 18, 2003

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The Observer

September 14, 2003

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Financial Times

September 5, 2003

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Independent Magazine

September 1, 2003

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i-D Magazine

September 1, 2003

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Observer Magazine

April 6, 2003

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American Photo

January 1, 2002

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i-D Magazine

November 1, 2001

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W

July 1, 2000

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Time Out New York

June 22, 2000

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New York Times

June 4, 2000

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Contemporary Visual Arts

June 1, 2000

Artforum

January 2013

Previews
By: Christopher Bollen


"Juergen Teller: Woo"
Institute of Contemporary Arts
January 23 - March 17
Curated by Gregor Muir


If there is a conflation in photography today among the private, the public, and the unabashedly commercial,such anxiety can partly be tracked to the success of Juergen Teller whose career skyrocketed in the mid-1990s with the distinctly overly lit, awkward but glamorously posed, comic but almost aggressively intimate portraits of models, musicians, and friends that he produced for advertising, editorial, and art contexts without modifying his style.  As much environmental studies of outsize eccentricity as they are portraits of the weird and the beautiful, Teller's works are now the subject of "Woo," the artist's first solo exhibition in London in more than a decade.  Expect iconic shots of Björk and Kate Moss, highlights from Marc Jacobs campaigns, and, in a prime example of the photographer's ability to bridge the public and the personal, the inclusion of both a 2009 triptych of Vivienne Westwood in the nude and selections from a series featuring his elderly mother wandering around the English woodlands.