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Museum Exhibition

Mori Art Museum
Do Ho Suh + Po Po

July 25 – October 12, 2015

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Artist Bio

Do Ho Suh

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Whitewall

Winter 2015

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Artforum

January 28, 2017

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The Art Newspaper

November 30, 2016

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Artnet News

March 12, 2015

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Artforum

February 2015

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Time Out New York

October 16, 2014

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designboom

October 5, 2014

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Art in America

October 2014

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Time Out New York

September 25, 2014

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Artnet

September 14, 2014

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Art21

February 19, 2014

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Baccarat

December 2013

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The Wall Street Journal

November 6, 2013

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Art Asia Pacific

Nov/Dec 2013

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Modern Painters (Asia Edition)

November 2013

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Ocula

November 2013

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Artinfo

May 8, 2013

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Sculpture Magazine Personal Histories: Do Ho Suh

November 1, 2012

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Sculpture

November 2012

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The Los Angeles Times

June 16, 2012

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The San Diego Union-Tribune

June 1, 2012

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ABC News

May 31, 2012

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Art Asia Pacific

April 30, 2012

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Wall Street Journal

April 24, 2012

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April 4, 2012

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Harper's Bazaar

March 31, 2012

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The Korea Times

March 27, 2012

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Designboom

January 27, 2012

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MSNBC

November 16, 2011

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October 31, 2011

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October 31, 2011

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Riviera

October 31, 2011

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San Diego City Beat

October 19, 2011

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The Seattle Times

October 13, 2011

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Seattle Met

October 11, 2011

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Flavorwire

October 9, 2011

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Surface

September 30, 2011

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Elle Decor

September 30, 2011

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Public Art

September 30, 2011

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NY Arts

September 30, 2011

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Huffington Post

September 30, 2011

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Frame Magazine

September 30, 2011

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Voice of San Diego

September 28, 2011

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New York Magazine Review

September 26, 2011

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Fast Co. Design

September 26, 2011

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New York Magazine

September 20, 2011

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Art in America

September 15, 2011

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Time Out New York

September 8, 2011

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Tate Modern

August 31, 2011

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Designboom

August 16, 2011

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Time Out Hong Kong

May 25, 2011

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W Magazine

October 31, 2010

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Art + Auction

October 31, 2010

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Artforum

May 13, 2010

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International Herald Tribune

March 30, 2010

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The Houston Chronicle Online

November 19, 2009

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Art in America

November 17, 2009

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Los Angeles Times Culture Monster Blog

June 28, 2009

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Los Angeles Times

June 24, 2009

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Los Angeles Times

June 21, 2009

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Artdaily.org

May 18, 2009

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Surface Design Journal Winter 2009, Volume 33, No. 2

December 31, 2008

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Icon Issue 065

October 31, 2008

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ArtAsiaPacific

June 30, 2008

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ArtInfo

June 30, 2008

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Artforum

May 31, 2008

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The Guardian U.K.

May 28, 2008

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Art in America

March 1, 2008

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NYTimes

November 29, 2007

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Vogue Living

November 1, 2007

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Artforum

November 1, 2007

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Artforum

February 1, 2007

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Designboom.com

January 18, 2007

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Sculpture

December 1, 2005

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Tema Celeste

September 1, 2004

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Architectural Record

September 1, 2004

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Washington Post

April 25, 2004

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Galleria Soledad Lorenzo Catalog Text

January 27, 2004

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Art in America

November 1, 2003

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Interni

October 1, 2003

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Tema Celeste

September 1, 2003

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Art Asia Pacific

September 1, 2003

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Time Out New York

July 3, 2003

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July 2, 2003

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New York Sun

June 26, 2003

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Village Voice

June 23, 2003

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June 13, 2003

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Art AsiaPacific

March 1, 2003

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Tema Celeste

July 1, 2002

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Artforum

January 1, 2002

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Sculpture

October 1, 2001

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Tema Celeste

January 1, 2001

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Art in America

November 1, 2000

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New York Times

September 29, 2000

Artist Bio

Do Ho Suh

Do Ho Suh (b. 1962, Seoul, Korea; lives and works in London and Seoul) works across various media, creating drawings, film, and sculptural works that confront questions of home, physical space, displacement, memory, individuality, and collectivity. Suh is best known for his fabric sculptures that reconstruct to scale his former homes in Korea, Rhode Island, Berlin, London, and New York. Suh is interested in the malleability of space in both its physical and metaphorical forms, and examines how the body relates to, inhabits, and interacts with that space. He is particularly interested in domestic space and the way the concept of home can be articulated through architecture that has a specific location, form, and history. For Suh, the spaces we inhabit also contain psychological energy, and in his work he makes visible those markers of memories, personal experiences, and a sense of security, regardless of geographic location.

 

Suh received a BFA in painting from Rhode Island School of Design in 1994 and an MFA in sculpture from Yale University in 1997. Solo exhibitions of his work have recently been organized at Smithsonian American Art Museum, Washington, DC (forthcoming, 2018); Frist Center for the Visual Arts, Nashville, TN (forthcoming, 2018); Madison Museum of Contemporary Art, WI (2017); Museum of Contemporary Art San Diego, CA (2016); Contemporary Arts Center, Cincinnati, OH (2016); Museum of Contemporary Art Cleveland, OH (2015); Mori Art Museum, Tokyo (2015); The Contemporary Austin, TX (2014); National Museum of Contemporary Art, Seoul (2013); 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012-2013); Hiroshima City Museum of Contemporary Art, Japan (2012); Stuart Collection, University of San Diego, California (2012);  Leeum, Samsung Museum of Art, Seoul (2012); and Tate Modern, London (2011). Select group exhibitions featuring his work include Art of the Senses, Albright-Knox Gallery, Buffalo, NY (forthcoming, 2017); No Place Like Home, The Israel Museum, Jerusalem (2017); Apparitions: Frottages and Rubbings from 1860 to Now, The Hammer Museum, Los Angeles, traveled to the Menil Collection, Houston, TX (2015); Beyond and Between, Leeum, Samsung Museum of Art, Seoul (2014); Shades of Time: An Exhibition from the Archive of Korean American Artists, Part Two 1989 - 2001, Queens Museum, NY (2014); Homebodies, Museum of Contemporary Art, Chicago (2013); Dislocation, Daegu Art Museum, South Korea (2012); and Peppermint Candy: Contemporary Korean Art, The National Museum of Contemporary Art, Gwacheon, South Korea (2009). Suh has participated in multiple biennial exhibitions, including the Singapore Biennial (2016); the 9th Gwangju Biennale, South Korea (2012); the 6th Liverpool Biennial, United Kingdom (2010); the 12th International Architecture Exhibition, Venice, Italy (2010); the 8th International Istanbul Biennial (2003); the 13th Biennial of Sydney (2002); and represented Korea at the 49th Venice Biennale (2001). His work is in numerous international public and private collections, including The Museum of Modern Art, New York; Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art; Walker Art Center, Minneapolis, MN; Tate Modern, London; Leeum, Samsung Museum of Art, Seoul; Art Sonje Center, Seoul; Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, Japan.

 

In 2013, Do Ho Suh was named Wall Street Journal Magazine's Innovator of the Year in Art.