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特蕾莎·索拉·阿布德

Atlantic Ridge Multiplicity

London

9月10日–2026年10月31日

Sculpture by Teresa Solar Abboud

No.9 Cork Street

Mayfair, London W1S 3LL

Opening reception with artist: September 10, 2026, 6–8 PM

Lehmann Maupin presents Atlantic Ridge Multiplicity, an exhibition of new work from Madrid-based artist Teresa Solar Abboud. Solar Abboud’s multidisciplinary practice explores ideas of interrelation, hybridity, and metamorphosis through sculpture, works on paper, installation, and video. Her diverse bodies of work offer speculative reimaginings of both the known and the unknown world, engaging themes ranging from subterranean landscapes and ecological entanglements, to subatomic dynamics and organic processes mapped across deep time. Atlantic Ridge Multiplicity marks Solar Abboud’s first solo exhibition in the United Kingdom. It follows her recent outdoor installation, Mother Tongue, at the Hayward Gallery in London and her 2025 solo exhibitions Bird Dream Machine at Fondazione Sandretto Re Rebaudengo, Turin, and Self-Portrait as a Pregnant Woman at Kunstverein Hannover, Germany. 

Over the past decade, Solar Abboud has developed a distinct practice rooted in the material properties of clay. Her well known Tunnel Boring Machines, which were featured in the 59th Venice Biennale’s The Milk of Dreams, combine visibly hand-worked clay with brightly saturated, precisely finished resin appendages whose shapes echo flippers, pincers, or beaks. These sculptures hypothesize the hidden forces and beings that form the Underground—the vast expanse of earth which we traverse daily but that remains fundamentally unknowable to us.

Sculpture by Teresa Solar Abboud

特蕾莎·索拉·阿布德

Multiplicity, 2026

Work on paper by Teresa Solar Abboud

特蕾莎·索拉·阿布德

Oozing out, 2026

Sculpture by Teresa Solar Abboud

特蕾莎·索拉·阿布德

Multiplicity, 2026

Portrait of Teresa Solar Abboud

Teresa Solar Abboud’s work spans sculpture, drawing, and video, and is rooted in a fragmented narration of the contemporary world. Rather than proposing a singular, overarching vision, it evokes multiple bodies, events, and histories perceived only in part, which together form a mosaic-like universe.

Solar Abboud occupies space with works of varying scale and materiality: clay, found objects, and human-made symbols coexist within her installations. In her practice, she alludes to material entities in states of transformation and to the tension between seemingly opposing concepts such as the organic and the synthetic, the interior and the exterior, or infrastructure and organism, bringing them into coexistence. She approaches these relationships through an organic sensibility, as if they were bodily functions, while simultaneously foregrounding the complex systems of interdependence that structure the industrial world, where hybrid forms of existence continuously emerge.

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