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曼迪·埃爾—薩伊

MUTATIONS IN BLUE, WHITE AND RED

New York

2018年11月8日–2019年1月12日

Installation view of Mandy El-Sayegh at Lehmann Maupin New York

536 West 22nd Street

New York, NY 10011

Lehmann Maupin is pleased to announce MUTATIONS IN BLUE, WHITE AND RED, an exhibition of recent paintings, drawings, and sculpture by Mandy El-Sayegh that marks the London-based artist’s first solo exhibition in the U.S. The gallery will host an opening reception for El-Sayegh on Thursday, November 8, from 6 to 8 PM.

MUTATIONS IN BLUE, WHITE AND RED brings together examples from different series of works by El-Sayegh, which together form an artistic practice rooted in assemblage and the political, social, and economic complexities of humanity. Featured in the exhibition are a number of mixed-media paintings from El-Sayegh’s Net-Grid series, along with examples of her Windows series, which is comprised of intricate blue ink drawings executed on large-scale canvases. Also on view is a selection of the artist’s table works, vitrine-like sculptures containing small latex objects, images, and found ephemera, as well as works from her Piece Paintings series, which are exhibited here for the first time. El-Sayegh has also created an installation where she has applied layers of The Financial Times to the walls and floor of one of the galleries, offering a different surface for the work. The Financial Times, chosen both for its signification of global finance and the flesh-pink tone of its pages, reflects El-Sayegh’s interest in the complex interactions (and often confrontations) between the body and the political landscape.

Installation view of Mandy El-Sayegh at Lehmann Maupin New York
Installation Views
1/3:
Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Net-Grid 7, 2017

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Net-Grid 6, 2017

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Net-Grid 10, 2017

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Net-Grid 14, 2017

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Windows 5 (left), 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

mutations in blue,white and red(stay) mutations in blue, white and red(two), 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Number ten, 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Emily, 2018

Installation view of Mandy El-Sayegh at Lehmann Maupin New York
Installation Views
1/3:
Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Red Event, 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

fighting fifty, 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

face sitter, 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

big red says, 2018

Table by Mandy El-Sayegh

曼迪·埃爾—薩伊

un, 2018

Table by Mandy El-Sayegh

曼迪·埃爾—薩伊

white afro/blue sector, 2018

Portrait of Mandy El-Sayegh

曼迪·埃爾—薩伊(1985年生於馬來西亞,現工作及居於倫敦)高度過程驅動的藝術實踐始於對材料及語言的探索,她的創作形式包括富層次的繪畫、雕塑、裝置、圖像、聲音和影像,埃爾—薩伊的作品探討了體制的形成和瓦解,包括身體、語言或是政治上的意義。藝術家對探索「局部—整體」關係尤感興趣,她運用乳膠、橡膠和黏土等有機物的材料把不同的碎片、文本和現成圖像分層及拼湊,具體地證明了重要的事物往往是由微小的互動或重複而產生的。埃爾·薩伊相信,簡單的重複性圖案(例如手繪網格或幾何模型)會製造出不同形式而且令人出乎意料的敘述性組合。

埃爾—薩伊將她的探索性觀察過程聯繫當代社會和政治事件,這些事件往往以混亂且令人不安的方式發生,而對此類事件的辯護或解釋通常是事件發生之後,目的是整理我們主觀和不完整的社會、文化和政治進程。藝術家的作品旨在揭開這些重疊結構的面紗,並揭示它們的複雜性。 埃爾—薩伊對觀察的(科學和自我)過程很感興趣,她相信通過這樣的觀察,人們可以更好地理解塑造我們世界的社會和政治現像,如何以恆久的狀態不斷變化。

MUTATIONS IN BLUE, WHITE AND RED | Lehmann Maupin