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曼迪·埃爾—薩伊

MUTATIONS IN BLUE, WHITE AND RED

New York

2018年11月8日–2019年1月12日

Installation view of Mandy El-Sayegh at Lehmann Maupin New York

536 W 22nd Street

New York, NY 10011

Lehmann Maupin is pleased to announce MUTATIONS IN BLUE, WHITE AND RED, an exhibition of recent paintings, drawings, and sculpture by Mandy El-Sayegh that marks the London-based artist’s first solo exhibition in the U.S. The gallery will host an opening reception for El-Sayegh on Thursday, November 8, from 6 to 8 PM.

MUTATIONS IN BLUE, WHITE AND RED brings together examples from different series of works by El-Sayegh, which together form an artistic practice rooted in assemblage and the political, social, and economic complexities of humanity. Featured in the exhibition are a number of mixed-media paintings from El-Sayegh’s Net-Grid series, along with examples of her Windows series, which is comprised of intricate blue ink drawings executed on large-scale canvases. Also on view is a selection of the artist’s table works, vitrine-like sculptures containing small latex objects, images, and found ephemera, as well as works from her Piece Paintings series, which are exhibited here for the first time. El-Sayegh has also created an installation where she has applied layers of The Financial Times to the walls and floor of one of the galleries, offering a different surface for the work. The Financial Times, chosen both for its signification of global finance and the flesh-pink tone of its pages, reflects El-Sayegh’s interest in the complex interactions (and often confrontations) between the body and the political landscape.

Installation view of Mandy El-Sayegh at Lehmann Maupin New York
Installation Views: 1/3
Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Net-Grid 7, 2017

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Net-Grid 6, 2017

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Net-Grid 10, 2017

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Net-Grid 14, 2017

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Windows 5 (left), 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

mutations in blue,white and red(stay) mutations in blue, white and red(two), 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Number ten, 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Emily, 2018

Installation view of Mandy El-Sayegh at Lehmann Maupin New York
Installation Views: 1/3
Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

Red Event, 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

fighting fifty, 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

face sitter, 2018

Painting by Mandy El-Sayegh

曼迪·埃爾—薩伊

big red says, 2018

Table by Mandy El-Sayegh

曼迪·埃爾—薩伊

un, 2018

Table by Mandy El-Sayegh

曼迪·埃爾—薩伊

white afro/blue sector, 2018

Portrait of Mandy El-Sayegh

曼迪·埃爾—薩伊(1985年生於馬來西亞,現工作及居於倫敦)高度過程驅動的藝術實踐始於對材料及語言的探索,她的創作形式包括富層次的繪畫、雕塑、裝置、圖像、聲音和影像,埃爾—薩伊的作品探討了體制的形成和瓦解,包括身體、語言或是政治上的意義。藝術家對探索「局部—整體」關係尤感興趣,她運用乳膠、橡膠和黏土等有機物的材料把不同的碎片、文本和現成圖像分層及拼湊,具體地證明了重要的事物往往是由微小的互動或重複而產生的。埃爾·薩伊相信,簡單的重複性圖案(例如手繪網格或幾何模型)會製造出不同形式而且令人出乎意料的敘述性組合。

埃爾—薩伊將她的探索性觀察過程聯繫當代社會和政治事件,這些事件往往以混亂且令人不安的方式發生,而對此類事件的辯護或解釋通常是事件發生之後,目的是整理我們主觀和不完整的社會、文化和政治進程。藝術家的作品旨在揭開這些重疊結構的面紗,並揭示它們的複雜性。 埃爾—薩伊對觀察的(科學和自我)過程很感興趣,她相信通過這樣的觀察,人們可以更好地理解塑造我們世界的社會和政治現像,如何以恆久的狀態不斷變化。

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MUTATIONS IN BLUE, WHITE AND RED | Lehmann Maupin