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Los Angeles County Museum of Art

Los Angeles

3월 11일–2010년 6월 6일

Installation view of Contemporary Projects 12 at LACMA

Los Angeles, CA

The work of South African artist Robin Rhode originates from his physical interactions with drawings executed on walls on the streets of Johannesburg or, most recently, in his studio in Berlin, where he is now based. The resulting works include performances, wall drawings, photograph compositions, objects, video animations, and film. In developing his process Rhode was first "inspired by a high school initiation rite whereby young pupils were unwillingly taken into the boys' toilets by senior pupils and forced to interact with chalk-drawn objects on the walls." Based on this formative childhood experience, Rhode has transformed a puerile game into a compelling and innovative form of expression reminiscent of stop-action films and/or flip books, as well as the art historical movements of constructivism and surrealism. This will be the artist's first exhibition in Los Angeles.

This exhibition was organized by the Los Angeles County Museum of Art and made possible by the Contemporary Projects Endowment Fund. Contributors to the fund include Mr. and Mrs. Eric Lidow, Ronnie and Vidal Sassoon, Steve Martin, The Broad Art Foundation, Bob Crewe, Tony and Gail Ganz, Ansley I. Graham Trust, Peter Norton Family Foundation, Barry and Julie Smooke, and Sandra and Jacob Y. Terner.

Installation view of Contemporary Projects 12 at LACMA
Installation Views
1 / 3:
Installation view of Contemporary Projects 12 at LACMA
Installation Views
1 / 3:
Portrait of Robin Rhode

With his research-based and socially engaged practice, Robin Rhode (b. 1976, Cape Town, South Africa; lives and works in Berlin, Germany) engages the urban landscape to create complex, symbolically rich narratives that disrupt and transform their environments.

The artist is best known for his multi-panel works that deftly combine photography, performance, wall painting, and drawing. Negotiating the urban landscape, these photographs often depict silhouetted figures interacting with carefully composed wall paintings that the artist paints in public spaces, most often in the city of Johannesburg. In each succession of photographs, the choreographed movements of the individual or group appear to alter the two-dimensional renderings, compressing space and time and morphing the urban landscape into a fictional storyboard. Using the medium of photography to capture his painted and performative actions, Rhode disrupts the fixity of the wall, rendering it a mobile substrate that can be transported into a variety of contexts.

Contemporary Projects 12 | Lehmann Maupin