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Muesum Voorlinden

Wassenar

4월 24일–2021년 9월 26일

Installation by Robin Rhode

Buurtweg 90, 2244 AG

Wassenar

Museum Voorlinden presents the first solo exhibition featuring artist Robin Rhode (South Africa, 1976) in the Netherlands. In this retrospective, Voorlinden celebrates his artistic journey from 2000 to the present day. Whether it is a photo, video, sculpture or performance, each of his works can be traced back to the act of drawing. For Robin, a wall functions as his canvas, on which his temporary interventions depict imaginary worlds.

Walls provide an important motif and vehicle. For Robin, they are not a boundary but rather windows to the imagination. Using chalk, charcoal and paint, he draws the sets for his performances on walls, capturing the action in photos or videos. Robin is a true illusionist. With only a few lines, he brings an entire world to life before our eyes and in doing so, he activates our powers of imagination.

Installation view of Robin Rhode at Museum Voorlinden
Installation Views
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Photograph by Robin Rhode

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Delta, 2018

Painting by Robin Rhode

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Tree of Life, 2019-2020

Photograph by Robin Rhode

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Tree of Life, 2019

Sculpture by Robin Rhode

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Light Giver Light Taker, 2015

Painting by Robin Rhode

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Crystal Sea, 2019-2020

Sculpture by Robin Rhode

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Soap and Water, 2007

Photograph by Robin Rhode

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Mandala, 2018

Photograph by Robin Rhode

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Nigerian Sands, 2018

Installation by Robin Rhode

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Chalk Bicycle, 2011-2015

Animation by Robin Rhode

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Kid Candle, 2009

Photograph by Robin Rhode

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Phantom Rain, 2019

Photograph by Robin Rhode

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Lantern, 2019

Photograph by Robin Rhode

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Block of Flats, 2019-2020

Portrait of Robin Rhode

With his research-based and socially engaged practice, Robin Rhode (b. 1976, Cape Town, South Africa; lives and works in Berlin, Germany) engages the urban landscape to create complex, symbolically rich narratives that disrupt and transform their environments.

The artist is best known for his multi-panel works that deftly combine photography, performance, wall painting, and drawing. Negotiating the urban landscape, these photographs often depict silhouetted figures interacting with carefully composed wall paintings that the artist paints in public spaces, most often in the city of Johannesburg. In each succession of photographs, the choreographed movements of the individual or group appear to alter the two-dimensional renderings, compressing space and time and morphing the urban landscape into a fictional storyboard. Using the medium of photography to capture his painted and performative actions, Rhode disrupts the fixity of the wall, rendering it a mobile substrate that can be transported into a variety of contexts.