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Nari Ward in conversation with Charles Moore

Mousse Magazine, by Charles Moore April 17, 2025

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In Milan, a Vast — and Unlikely — Home for Contemporary Art

The New York Times, by Farah Nayeri September 24, 2024

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10 Must-See Shows during Frieze Seoul

Artsy, by Daehyung Lee September 2, 2024

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What to see: Galleries gearing up for upcoming Frieze Seoul

The Korea Herald, by Park Yuna August 24, 2024

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Ahead of his Seoul exhibition, Nari Ward talks spiritual agency, materiality and how care and surveillance can be two sides of the same coin

Tatler Asia, by Aaina Bhargava August 21, 2024

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Nari Ward: Ground Break

The Brooklyn Rail, by Charles Moore May 1, 2024

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Nari Ward Loves Objects

Office Magazine April 30, 2024

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Lingering in Europe after Milan and Venice? Don't Miss These 9 Exhibitions Across the Continent

Cultured Mag, by Paloma Baygual April 22, 2024

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Highlights From Miart 2024, Milan’s Modern And Contemporary Art Fair

Forbes, by Joanne Shurvell April 21, 2024

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Nari Ward’s New Monumental Retrospective Urges Us to Scratch Beneath the Surface

Elephant, by Gilda Bruno April 8, 2024

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Nari Ward, Milan Review — Harlem Detritus Turned into Supermassive Sculptures

Financial Times, by Charlotte Jansen April 2, 2024

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Nari Ward: The Artist Using Found Objects to Tell the Stories of Harlem and Beyond

The Art Newspaper, by Louisa Buck February 27, 2024

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60 Must-See Exhibitions to Visit This Spring

ARTnews, by Alex Greenberger February 27, 2024

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Nari Ward’s Spiritual Alchemy

Frieze, by Leronn P. Brooks February 21, 2024

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‘Be Patient’: 10 Artists on How They Overcome Creative Blocks in the Studio

Artnet News December 27, 2023

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Nari Ward Combines Dance and Materiality in London

Wallpaper*, by Amah-Rose Abrams December 22, 2023

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‘Doubt Drives My Work’: Artist Nari Ward on How Uncertainty Can Lead to Discovery

Artnet News, by Katie White December 7, 2023

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Review: Nari Ward, Balance Fountain

FAD Magazine, by Toby Upson November 21, 2023

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Durham Gets Lit, the States Turn Sick and Goddesses Reign – The Week in Art

The Guardian, by Jonathan Jones November 17, 2023

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This Week in Culture: November 13 - 19

Cultured Mag November 13, 2023

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How These Artists Learn From Each Other: Nari Ward and Cosmo Whyte are from different generations, but their approaches are similar.

The New York Times, by Pierre-Antoine Louis September 9, 2023

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The 100 Greatest New York City Artworks, Ranked

ARTnews, by Alex Greenberger August 29, 2023

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Be Sure to Check Out These Booths at Art Basel 2022

Widewalls June 13, 2022

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Like a Rock: A Conversation with Nari Ward

Sculpture Magazine, by Kay Whitney May 27, 2022

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Frieze New York 2022: Activism, NFT Action, and Stellar Shows Around Town

Wallpaper*, by Tilly Macalister-Smith and Harriet Lloyd-Smith May 19, 2022

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A Twerk 'n' Jerk Barbecue to Kick Off Frieze Week

Surface, by Ryan Waddoups May 17, 2022

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At Work With Nari Ward

MATCHESFASHION, by Bryony Stone May 16, 2022

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Nari Ward on How to Make a True Portrait of New York City

The Art Angle, by Artnet News May 12, 2022

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Nari Ward Brings Together Sports with Fine Art

FanSided, by Chadd Scott May 4, 2022

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8 Gallery Shows Not to Miss During the First-Ever New York Art Week

Artnet News May 3, 2022

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From Coast to Coast, 6 Must-See Gallery Shows in May 2022

Galerie, by Paul Laster May 2, 2022

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Your Concise New York Art Guide for May 2022

Hyperallergic, by Cassie Packard May 1, 2022

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A Brush with Nari Ward

The Art Newspaper, by Ben Luke April 13, 2022

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Nari Ward Wants to Build a Giant Coffin Around the Columbus Circle Monument

Curbed, by Wendy Goodman March 28, 2022

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4 Must-See Gallery Shows This Spring

Avenue, by Angela M.H. Schuster March 2, 2022

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How Nari Ward’s Hearse Installation Went from the Whitney Biennial to a Permanent Home

The Art Newspaper, by Jacoba Urist February 8, 2022

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Artists on Artists to Watch, and Maybe Even Collect

T Magazine, by Noor Brara

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7 Events for Your Art Calendar This Week, From Nari Ward’s Take on Phishing Scams to an Online Eco-Art Festival

Artnet News November 30, 2020

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Nari Ward illuminates Denver with politically potent public art

Wallpaper, by Pei-Ru Keh August 4, 2020

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Nari Ward Takes Denver, At Museum Of Contemporary Art And Beyond

Forbes, by Chadd Scott July 30, 2020

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Nari Ward and Robin Rhode: Power Wall

The Brooklyn Rail, by Barbara A. MacAdam June 18, 2020

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When a wall is more than just a wall – artists’ Hong Kong exhibition a study in contrasts and context

South China Morning Post, by Aaina Bhargava April 17, 2020

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Nari Ward and Robin Rhode are wall-to-wall at Lehmann Maupin Hong Kong

Wallpaper, by Diane Theunissen April 6, 2020

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Nari Ward reconsiders history poetically with his show ‘We the People’ at CAMH

Houston Chronicle, by Molly Glentzer August 23, 2019

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Nari Ward Shows the Power of Objects at the New Museum

New York Times, by Martha Schwendener March 14, 2019

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The New Yorker, by Johanna Fateman March 7, 2019

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Nari Ward: We the People

WNYC, by Alison Stewart March 6, 2019

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Nari Ward in Conversation

Ocula, by Fawz Kabra March 2, 2019

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Nari Ward: hail the king of castoffs

Nari Ward: hail the king of castoffs

Financial Times, by Ariella Budick March 1, 2019

Nari Ward – interview: ‘I wouldn’t be the artist I am now if I hadn’t moved to Harlem’

Studio International, by Allie Biswas February 19, 2019

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Artist Nari Ward’s American Mythos

Cultured, by Jacoba Urist February 13, 2019

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Nari Ward’s Salvaged Worlds

New York Magazine, by Carl Swanson February 12, 2019

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Nari Ward on folk art, found objects and creating havoc with his work

Time Out New York, by Paul Laster February 5, 2019

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Nari Ward: We the People

Artforum, by Ciarán Finlayson January 2019

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Social Alchemist Nari Ward on Using Art to Rethink the Difference Between Money and Spirituality

Social Alchemist Nari Ward on Using Art to Rethink the Difference Between Money and Spirituality

Artnet, by Terence Trouillot May 18, 2017

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The Artist Nari Ward on the Goat as a Symbol of Democracy

The New Yorker, by Scott Indrisek April 9, 2017

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Installation at Socrates Sculpture Park Takes Political Turn

Installation at Socrates Sculpture Park Takes Political Turn

The New York Times, by Hilarie M. Sheets January 27, 2017

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In the Studio: Nari Ward

In the Studio: Nari Ward

Forbes, by Courtney Willis Blair March 27, 2015

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Nari Ward Is Harvesting Smiles in Harlem

Nari Ward Is Harvesting Smiles in Harlem

Artnet, by Sarah Cascone June 9, 2014

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NYC 1993, New Museum, New York

Frieze, by Jennifer Kabat May 2013

A Time of Danger and Pain, Two Long Decades Ago

A Time of Danger and Pain, Two Long Decades Ago

The New York Times, by Holland Cotter February 14, 2013

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ARTnews, by Ann Landi January 16, 2013

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Reclaiming a Moment of Grace

Reclaiming a Moment of Grace

The Wall Street Journal, by Kimberly Chou January 16, 2013

The Brooklyn Rail, by Phong Bui April 30, 2012

Nari Ward’s ‘Liberty and Orders’ at Lehmann Maupin

Nari Ward’s ‘Liberty and Orders’ at Lehmann Maupin

Huffington Post, by Kathleen Massara April 8, 2012

22 Questions for Multimedia Sculptor Nari Ward

22 Questions for Multimedia Sculptor Nari Ward

Artinfo, by Chloe Wyma March 27, 2012

Art in America, by Casey Ruble May 2010

ARTnews, by Eric Bryant May 2010

Artforum, by Lauren O’Neill-Butler May 2010

Nari Ward ‘LIVESupport’

Nari Ward ‘LIVESupport’

The New York Times, by Karen Rosenberg April 2, 2010

December 31, 2008

November 24, 2008

The New York Times

August 24, 2007

November 30, 2004

December 31, 2001

The New York Times

The New York Times

October 27, 1997

The New York Times

The New York Times

August 10, 1997

The Village Voice

The Village Voice

October 9, 1996

September 30, 1996

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