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Teresita Fernández

Madison Square Park Conservancy

New York

Jun 1, 2015–Jan 10, 2016

Teresita Fernández Installation

New York, New York

Teresita Fernández’ Fata Morgana consists of 500 running feet of golden, mirror-polished discs that create canopies above the pathways around the park’s central Oval Lawn. In nature, a fata morgana is a mirage that forms across the horizon line. Alluding to this phenomenon, Fernández’s project introduces a shimmering horizontal element that will engage visitors in a dynamic experience. The installation hovers above the winding walkways to define a luminous experiential passage for visitors. The metal forms, perforated with intricate patterns reminiscent of foliage, create abstract flickering effects as sunlight filters through the canopy, casting a golden glow across the expanse of the work, paths, and passersby.

Fernández’ work is characterized by an interest in perception and the psychology of looking. Her large-scale works are often inspired by landscape and natural phenomena as well as diverse historical and cultural references. The artist describes her concept for Fata Morgana “was to invert the traditional notion of outdoor sculpture by addressing all of the active walkways of the park rather than setting down a sculptural element in the park’s center.” Parkgoers could look up into the shimmering surface to view their reflections intermingled with images of pathways and foliage.

Teresita Fernández Installation
Installation Views: 1 of 2
Portrait of Teresita Fernández

Teresita Fernández's work is characterized by an expansive rethinking of what constitutes landscape: from the subterranean to the cosmic, from national borders to the more elusive psychic landscapes we carry within. Fernández unravels the intimacies between matter, human beings, and locations. Her luminous, sculptural works poetically challenge ideas about land and landscape by amplifying the powerful, emotional connection in how we imagine place, and, by extension, one another. Fernández exposes the complex narratives that stem from distorted, colonial histories, elaborating on these themes in subtle ways that insist on intertwining beauty, the socio-political, the intimate, and the immense. Imagining the landscape with reciprocal sentience, Fernández has said “You look at the landscape, but the landscape also looks back at you."

Fernández is a 2005 MacArthur Foundation Fellow and the recipient of numerous awards, including a Creative Capital Award; Guggenheim Fellowship; the Louis Comfort Tiffany Biennial Award; an American Academy of Rome Fellowship (AFAAR); and a National Endowment for the Arts Individual Artist’s Grant in Visual Arts, among others. Her works have been exhibited and collected both nationally and internationally including: The Museum of Modern Art, New York; The Whitney Museum of American Art; the San Francisco Museum of Modern Art; The Menil Collection; Philadelphia Museum of Art; Pérez Art Museum Miami; Modern Art Museum of Fort Worth; Centro de Arte Contemporáneo de Málaga, Spain; The Museum of Fine Arts, Boston; SITE Santa Fe; The Smithsonian Museum of American Art; MASS MoCA; and Castello di Rivoli, Italy, among others. She lives and works in Brooklyn, New York

Learn about the artist
Fata Morgana | Lehmann Maupin