Hernan Bas (b. 1978, Miami, FL; lives and works in Miami, FL) creates paintings, works on paper, videos, and installations that weave together adolescent adventures with classical poetry, religious stories, mythology, the paranormal, and literature. Influenced by the Romantic era of the 18th century that glorified the sublime beauty of nature and the Decadent movement of the 19th century that evoked romantic nihilism, skepticism, excess, and artificiality, Bas’ early work often portrayed nearly hidden adolescent male figures, deep in contemplation amidst vast otherworldly landscapes. As the figure and the interiors they occupied became more and more prominent throughout Bas’ work, so did the social and cultural context within which they were living. Spanning a wide range of time periods and themes, Bas investigates inquisition, desire, and obsessions and invites the viewer to recognize their own curiosities and oddities.

While the young male figure remains prominent throughout Bas’ oeuvre, in his more recent work individual paintings become an in-depth investigation into a singular critical subject, addressing topics such as LGBTQIA+ activism and desire, politics, news, conspiracy theories, and the occult. Providing a unique perspective on American subculture and a contemporary version of History Painting, they allow us to consider the relevance of seemingly inconsequential moments in the past and present and offer space for critical reflection. For his November 2019 exhibition with Lehmann Maupin, TIME LIFE, Bas used the Time-Life Book series Mysteries of the Unknown as his inspiration. Published between 1987 and 1991, each book focused on a different paranormal topic, such as ghosts, UFOs, psychic powers, and dreams. Navigating the liminal space between reality and fiction, the grotesque and the beautiful, the odd and the mundane, Bas highlights cult phenomena from the past that offer insight into the political and social concerns of today.

Klara Kristalova (b. 1967, Czechoslovakia; lives and works in Norrtälje, Sweden) creates figurative ceramic sculptures that take on hybrid forms. Many of Kristalova’s works incorporate both aspects of the human body and elements of nature, such as animals, insects, flowers, and trees. Infused with uncanny details and observations from her daily life and surroundings, Kristalova’s figures constitute a juxtaposition of scale where minute details reflect the monumental impact of constant change. Her oeuvre is grounded in an exploration of transitional states essential to both human and ecological life, and her sculptures conjure a familiar yet fantastical presence that exudes raw emotion. Building a fictive world that bridges humanity, ecology, and fantasy, Kristalova’s sculptures undergird the omnipresence of change across all forms of life.

Crafted in the artist’s secluded studio in Norrtälje, Sweden, Kristalova’s rugged style evokes a sense of discomfort, mirroring the sensitive and porous emotional landscape one finds themselves in when weathering changes. The figures exist in a liminal state, often possessing both human and anthropomorphic qualities and perhaps challenging such distinctions altogether. In this sense, Kristalova’s rustic style reminds us that the sculptural process is inherently transformative, as natural materials are shaped into static and enduring forms.