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施拉澤·赫什阿里

A Thousand Folds

New York

4月8日–2021年5月28日

Detail of painting by Shirazeh Houshiary

501 West 24th Street

New York, NY 10011

Lehmann Maupin is pleased to announce A Thousand Folds—an exhibition of new works by London-based Iranian artist Shirazeh Houshiary. Known for her painting, sculpture, and animation that seek to challenge viewers’ perceptions of time, space, and materiality, Houshiary’s works often engage opposing ideas and states of being, including transparency and opacity, sound and silence, surface and depth, presence and absence. The title of this exhibition is inspired from the word thousandfold to suggest an experience that is a conduit for understanding the world around us. Each work unveils fissures or folds as spaces that inhabit our dreams, imaginations, and perceptions. Houshiary approaches the intangible and evanescent, articulating a metaphysical reality that lies beyond mere form and surface.

Like Mark Rothko, who once said that his color field paintings should be viewed from a distance of 18 inches in order to dominate the viewer’s field of vision, Houshiary’s work rewards a similar mode of looking. From a distance, her paintings are reminiscent of a cosmos or the universe, but as the viewer draws closer the meticulousness, detail, and hidden Arabic letters that make up her amorphous forms begin to unfold. Contradiction and paradox are at the core of her work, and the wide universe within her field of inquiry is often met with complexity. The Arabic words embedded in her compositions are a juxtaposition of the opposing phrases “I am” and “I am not,” oscillating freely between focused and unfocused states, where the meaning of our existence becomes literally superfluous and lost in her imagined cosmos.

Installation view of Shirazeh Houshiary at Lehmann Maupin New York
Installation Views: 1/4
Installation view of Shirazeh Houshiary at Lehmann Maupin New York
Installation Views: 1/4
Sculpture by Shirazeh Houshiary

施拉澤·赫什阿里

The Order of Time, 2019

Painting by Shirazeh Houshiary

施拉澤·赫什阿里

Styx, 2018

Sculpture by Shirazeh Houshiary

施拉澤·赫什阿里

Origin, 2019

Painting by Shirazeh Houshiary

施拉澤·赫什阿里

Feel, 2019

Sculpture by Shirazeh Houshiary

施拉澤·赫什阿里

Strange Loop, 2019

Painting by Shirazeh Houshiary

施拉澤·赫什阿里

Reverie, 2018

Tower by Shirazeh Houshiary

施拉澤·赫什阿里

Aura, 2019

Tower by Shirazeh Houshiary

施拉澤·赫什阿里

Twilight, 2019

Painting by Shirazeh Houshiary

施拉澤·赫什阿里

Gegenschein, 2018

Animation by Shirazeh Houshiary

施拉澤·赫什阿里

A Rose and A Cup, 2019

Painting by Shirazeh Houshiary

施拉澤·赫什阿里

Fission, 2019

Painting by Shirazeh Houshiary

施拉澤·赫什阿里

Esker, 2019

Painting by Shirazeh Houshiary

施拉澤·赫什阿里

Fission, 2019

Portrait of Shirazeh Houshiary

施拉澤·赫什阿裏(1955年生於伊朗)於1970年代早期移居倫敦並在1979年畢業於切爾西藝術與設計學院。與她同期受到關註的藝術家包括阿尼什·卡普爾及理查德·迪肯。赫什阿裏擅長通過雕塑探索精神信仰和抽象形態。在1999年,紐約立木畫廊為她舉辦了首場個展,展出了一系列她受蘇菲主義和十三世紀神秘主義詩人魯米啟發的繪畫。赫什阿裏用墨一筆一筆反覆地把伊斯蘭書法刻在布面上。她將工序繁雜的繪畫過程升華至一種冥想性的視覺經歷,濃縮了當下靜止的一刻和過去的體驗。她在1994年獲特納獎提名,目前於英國倫敦定居及從事藝術創作。

赫什阿裏於1979年在英國倫敦藝術大學車路士藝術與設計學院畢業,在多個博物館及美術館舉行個人展覽,包括瑞士日內瓦Espace Muraille(2016年)、新加坡泰勒紙印藝術學院(2016年)、英國利物浦泰特利物浦美術館(2003年)、美國新墨西哥聖達菲美術館(2002年)、英國倫敦大英博物館伊斯蘭美術館(1997年)及英國倫敦卡姆登藝術中心(1993年)。她亦參與多個群體展覽,包括美國休斯頓穆迪藝術中心的「Artists and the Rothko Chapel」(2021年)、美國洛杉磯郡立藝術館的「Ink Dreams: Selections from the Fondation INK Collection」(2021年)、阿聯酋阿布扎比盧浮宮的「Abstraction and Calligraphy − Towards a Universal Language」(2021年)、英國韋克菲爾德長邊畫廊的「Breaking the Mould: Sculpture by Women since 1945」(2021年)、英國倫敦維多利亞與艾爾伯特博物館的「Epic Iran」(2021年)、英國索爾茲伯里教堂的「Celebrating 800 Years of Spirit and Endeavour」(2020年)、法國巴黎伊斯蘭文化中心的「l'Oeil & la Nuit」(2019年)、美國堪薩斯納爾遜藝術博物館的「Regarding Spirituality」(2018年)、美國紐約素描中心的「Drawing Dialogues: The Sol LeWitt Collection」(2016年)、美國薩拉索塔約翰與梅寶瑞格林藝術博物館的「Phantom Bodies: The Human Aura in Art」(2015年)、奧地利維也納冬宮的「Love Story: Anne & Wolfgang Titze Collection」(2014年)、美國東蘭辛遠大美術館的「Pattern」(2013年)、美國紐約大都會藝術博物館的「50 Years of Collecting Islamic Art」(2013年)、英國倫敦皇家藝術學院的「Summer Exhibition」(2012年)、美國紐約的「What is Painting? Contemporary Art from the Collection」(2008年)、美國紐約現代藝術博物館的「Without Boundary: Seventeen Ways of Looking」(2006年)、日本東京森美術館的「Happiness」(2003年)、及義大利威尼斯佩姬·古根漢美術館的「Thinking Big: Concepts for Twenty-First-Century British Sculpture」(2002年)。赫什阿裏亦曾參與多個雙年展,包括意大利第57屆威尼斯雙年展「GLASSTRESS 2017」(2017年)、意大利第55屆威尼斯雙年展「GLASSTRESS 2013」(2013年)、烏克蘭第1屆基輔雙年展(2012年)及澳大利亞第17屆悉尼雙年展(2010年)。

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A Thousand Folds | Lehmann Maupin