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Sounds of Dogs and Youth

New York

2011년 10월 27일–2012년 1월 28일

Installation view of Sounds of Dogs and Youth at Lehmann Maupin New York

540 W 26th St

New York, NY 10001

Lehmann Maupin Gallery is pleased to present Sounds of Dogs and Youth, Klara Kristalova’s first solo exhibition in New York.


A skilled and imaginative storyteller, Klara Kristalova draws inspiration from music, current events, and her daily surroundings to create figurative ceramic works that often mirror imagery from myths and old folk tales, and address themes surrounding oppression, anxiety and the sub-conscious. Exuding both an innocence and horror, Kristalova's uncanny sculptures portray adolescent girls and boys, often marked with exaggerated features or in the midst of transformation, and bring to mind memories of childhood fantasy, dreams and nightmares.

Installation view of Sounds of Dogs and Youth at Lehmann Maupin New York
Installation Views: 1 / 6
Installation view of Sounds of Dogs and Youth at Lehmann Maupin New York
Installation Views: 1 / 6
Portrait of Klara Kristalova

Klara Kristalova (b. 1967, Czechoslovakia; lives and works in Norrtälje, Sweden) creates figurative ceramic sculptures that take on hybrid forms. Many of Kristalova’s works incorporate both aspects of the human body and elements of nature, such as animals, insects, flowers, and trees. Infused with uncanny details and observations from her daily life and surroundings, Kristalova’s figures constitute a juxtaposition of scale where minute details reflect the monumental impact of constant change. Her oeuvre is grounded in an exploration of transitional states essential to both human and ecological life, and her sculptures conjure a familiar yet fantastical presence that exudes raw emotion. Building a fictive world that bridges humanity, ecology, and fantasy, Kristalova’s sculptures undergird the omnipresence of change across all forms of life.

Crafted in the artist’s secluded studio in Norrtälje, Sweden, Kristalova’s rugged style evokes a sense of discomfort, mirroring the sensitive and porous emotional landscape one finds themselves in when weathering changes. The figures exist in a liminal state, often possessing both human and anthropomorphic qualities and perhaps challenging such distinctions altogether. In this sense, Kristalova’s rustic style reminds us that the sculptural process is inherently transformative, as natural materials are shaped into static and enduring forms.

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Sounds of Dogs and Youth | Lehmann Maupin