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Billy Childish

wolves, sunsets and the self

Seoul

Apr 23–Jun 27, 2020

Detail of painting by Billy Childish

213 Itaewon-ro, Yongsan-gu

Seoul, 04349

Lehmann Maupin is pleased to announce an exhibition of new paintings by Billy Childish. The prolific British painter, musician, and writer has produced hundreds of albums of music and dozens of volumes of fiction and poetry. For his sixth exhibition with the gallery, and his first with Lehmann Maupin in Korea, Childish has created a body of work emblematic of his “radical traditionalist” approach. Pulling from themes found throughout art history—a verdant landscape, a sunset, a still life—Childish presents intensely personal vignettes that feel archetypical, vibrating with the kinetic energy of a moment lived.

While working in a state of flow is essential to the creative process of any artist, for Childish this state represents the entirety of artistic production. Working intuitively and quickly, his highly kinetic paintings are mostly created in a single session without any revision. His style is often compared to the expressionist painters of the late 19th/early 20th century, such as Vincent van Gogh and Edvard Munch, but for Childish it is the embodiment of these artists’ spiritual and creative integrity, and how this informed their roles within society, that is most compelling. An unabashed universalist, Childish considers artistry to be the inheritance of every human being, a method to capture the expressive impulse and visualize the powerful lure of beauty.

Installation view of Billy Childish at Lehmann Maupin Seoul
Installation Views
1 of 4:
Painting by Billy Childish

Billy Childish

three suns, 2019

Painting by Billy Childish

Billy Childish

wolf, trees and road, 2019

Painting by Billy Childish

Billy Childish

midnight sun / frozen lake, 2017

Painting by Billy Childish

Billy Childish

wolf in birch trees, 2019

Installation view of Billy Childish at Lehmann Maupin Seoul
Installation Views
1 of 3:
Painting by Billy Childish

Billy Childish

fallen tree across river, 2019

Billy Childish

My job is to make a picture, and my job is to do what the picture requires, and that means that there’s no ego attachment or, in effect, any involvement of “me” at all. And the less of my involvement there is, the easi- er it goes. If I try to get involved, then there’ll be all sorts of chaos. It’s complete free flow. The dream world made manifest. They paint themselves. trees and sky, 2019

Painting by Billy Childish

Billy Childish

family of trees, 2019

Painting by Billy Childish

Billy Childish

tree overlooking sea, 2017

Painting by Billy Childish

Billy Childish

irises, 2020

Painting by Billy Childish

Billy Childish

chrysanthemums in June's pot, 2017

Portrait of Billy Childish

Billy Childish (b. 1959, Chatham, Kent, United Kingdom; lives and works in Chatham, Kent, United Kingdom) is known for his introspective, autobiographical, and deeply emotional paintings, writing, and music. After leaving secondary school at age 16, Childish worked at the Naval Dockyard in Chatham as an apprentice stonemason. Initially denied an interview to the local art school, he produced hundreds of drawings that gained him entry to London’s Saint Martin's School of Art. Childish's defiance of authority led to his eventual expulsion from art school in 1981. Since then, Childish has attained a cult status worldwide, writing and publishing several novels, more than 40 volumes of confessional poetry and recording more than 170 LPs. This artistic output has always existed in tandem with his central practice as a painter, his devotion to the medium evinced by his uninterrupted flow of work dating back to the late 1970s.

Through all of these disciplines, Childish addresses social, political, and personal issues such as war, protest, his turbulent childhood and his struggles with alcoholism. While his confessional poetry and music explore these issues with startling honesty, Childish’s paintings are more subtle. His subjects are often drawn from his environment or are people he knows or admires, transformed into universal motifs: landscape paintings of his native Kent and other familiar lands, such as the Pacific North West and South West United States, appear alongside self-portraits and people significant to Childish’s life (both cultural and personal), including his American wife, Julie, and his children.

wolves, sunsets and the self | Lehmann Maupin