Lehmann Maupin returns to Art Basel Hong Kong with a selection of new and historic works that emphasize our institutional exhibitions around the world—from Seoul to London to Boston. Spanning painting, sculpture, and mixed media, the works on view demonstrate the gallery’s commitment to a diverse and global program.

Highlights include a new, large-scale painting by Tammy Nguyen, whose first solo exhibition with the gallery opens March 23 in Seoul. Nguyen joined the program in 2022, and shortly thereafter received much critical acclaim for the works she debuted at the Berlin Biennial. In The Gape (2023), Nguyen reimagines the Lusail Stadium in Qatar, where the 2022 World Cup took place. Nguyen’s composition suggests the stadium as more than a structure, reanimating it as both a spaceship and a dragon to explore the other-wordly nature of the architecture and blur the lines between fantasy and reality. The artist has long experimented with intentionally confusing her subjects by overlapping seemingly disparate entities. In her forthcoming Seoul exhibition A Comedy for Mortals: Inferno, Nguyen draws a parallel between Dante’s Inferno and the Cold War-era Space Race in order to explore areas of moral ambiguity and ethical confusion. This August, Nguyen’s first solo museum exhibition will open at the ICA/Boston.