
Art Basel
Messe Basel
Booth K9
Jun 16–19, 2022June 16–19, 2022

Messe Basel
Lehmann Maupin returns to Art Basel with a presentation of new and historical works that highlight the gallery’s multi-generational, interdisciplinary program. Highlights include new works by artist Tammy Nguyen, who recently joined the gallery and whose work is prominently featured in the Berlin Biennale, curated by Kader Attia, whose work is also on view at the booth; alongside emblematic sculptures by the late Swiss artist Heidi Bucher, whose retrospective Metamorphoses is currently on view at Kunstmuseum Bern; and a selection of works by Cecilia Vicuña, who is the subject of a solo exhibition at the Solomon R. Guggenheim Museum in New York and featured in the 59th Venice Biennale, for which she was also awarded a Golden Lion for Lifetime Achievement.
Exploring the complex relationships between colonization, nature and society, artists such as Vicuña, Attia, and Nguyen shed light on the narratives and mythologies that have shaped cross-cultural encounters. In Lady Deer Tree (2021), Vicuña explores the symbol of the deer, sacred in a number of distinct religious philosophies from across the world, and considers the deer as a teacher who can guide humanity toward practicing wholehearted selflessness and devotion. With her Man of Sorrow (2022) Nguyen also considers intersections between ecology and culture as she questions the impact of colonialism and proselytization perpetrated in Asia by European missionaries. Here, a bird of prey morphs into a representation of Christ being cannibalized by a tropical environment.

Heidi Bucher
Der Schrank, 1979

Heidi Bucher
haus mit libelle, 1981

Nicholas Hlobo
Sondela maCilikishe, 2021

Nicholas Hlobo
Ubom’emqaleni wenja, 2022
Artist
Untitled, 2018

David Salle
Tree of Life #15, 2021

Cecilia Vicuña
Chanccani Quipu, 2012

Kader Attia
Repaired ceramic plate From the series “Untitled”, 2020

McArthur Binion
DNA: (visual:ear), 2022

Heidi Bucher
Untitled Dragonfly object (from the “Libellenrochen” series), 1978-1983

Lee Bul
Perdu CX, 2021

Lee Bul
Perdu CXXXVI, 2022

Lee Bul
Perdu CXXXIV, 2022

Lee Bul
Perdu CXXXV, 2022

Billy Childish
fallen tree lands end san francisco, 2018

Billy Childish
girl floating above rocks, 2022

Billy Childish
girl in swimming, yuba river, 2022

Mandy El-Sayegh
White Grounds (Spring), 2022

Teresita Fernández
Nocturnal(Arrival), 2022

Nicholas Hlobo
Isandi, 2022

Nicholas Hlobo
Thwal’intakazana, 2022

Shirazeh Houshiary
Soar, 2015

Tammy Nguyen
Man of Sorrow, 2022

OSGEMEOS
O amor atemporal / The timeless love, 2022

OSGEMEOS
O ninho / The nest, 2022

OSGEMEOS
Where we come from, 2016

Lari Pittman
Found Buried: Textile for Crib Lining, 2020

Do Ho Suh
ScaledBehaviour_runOn(door_11.20.1), 2022

Do Ho Suh
ScaledBehaviour_runOn(doorknob_11.1.2), 2022

Do Ho Suh
ScaledBehaviour_runOn(doorknob_11.12.1), 2022

Do Ho Suh
ScaledBehaviour_runOn(doorknob_8.18.1), 2022

Do Ho Suh
ScaledBehaviour_runOn(doorknob_9.16.1), 2022

Do Ho Suh
ScaledBehaviour_runOn(radiator_10.7.1), 2021

Cecilia Vicuña
Arbol Oido (Tree Ear), 2021

Cecilia Vicuña
Lady Deer Tree, 2021

Nari Ward
Casino Cell Shield, 2020

Nari Ward
Peace Walk; COUNCIL, 2022

Liu Wei
DENG, 2011

Dominic Chambers
Untitled, 2021

Lari Pittman
Luminous: Cities with Egg Monuments 3, 2022

Lari Pittman
Luminous: Cities with Egg Monuments 1, 2022