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納利·華德

Liberty and Orders

New York

3月29日–2012年4月21日

Installation view of Liberty and Orders at Lehmann Maupin New York

201 Chrystie St

New York, NY 10002

Lehmann Maupin Gallery is pleased to present Nari Ward’s second solo exhibition at Lehmann Maupin titled Liberty and Orders.

Liberty and Orders picks up where we left off with Nari Ward’s 2010 exhibition LIVESupport. In 2010, Ward exhibited “Father and Sons,” a video work depicting two sons and their police officer father. The father stands as a symbol of the safeguards we have in place, but as we are aware, oftentimes these safeguards do no operate as intended. In the past year, Nari Ward went through the process of naturalization. One of the reasons being that it offered him protection. Wishing to “cover” himself, Ward became a U.S. citizen and in the process faced various questions and subjects concerning law and authority. These experiences became key influences for the works in this exhibition. Becoming a citizen for many is an emotional experience, one that is celebrated with tears of joy. For Ward, the act of making these works was cathartic in the same way tears of joy are. The exhibition explores a range of themes dealing with anxiety – such as the anxiety of being stopped by police – our relationship to the systems of authority set in place, and art with a moral key. As a whole, the exhibition explores the balance of control and freedom.

Installation view of Liberty and Orders at Lehmann Maupin New York
Installation Views: 1/4
Sculpture by Nari Ward

納利·華德

T.P. Reign Bow, 2012

Installation view of Liberty and Orders at Lehmann Maupin New York
Installation Views: 1/3
Portrait of Nari Ward

納利·華德 (1963 年生於牙買加聖安德魯,現居於紐約)利用他從城市收集得來的物料創作戲劇性的雕塑式裝置藝術。他重新利用物件如嬰兒車、購物車、水瓶、門、電視套裝、收銀機、鞋帶等。華德重新塑造這些從城市收集回來的物件引導觀眾思考,並帶出複雜和隱喻的意義—審視周圍環境的種族、貧窮和消費文化所產生的問題。他偏向由觀眾對其作品提出個人的闡釋,為作品留下開放性的意義。

華德的最代表性的作品是「Amazing Grace」,制作於1993年時他駐場在美國紐約哈林區畫室博物館,作品回應早期九十年代愛滋病和毒品流行的問題。華德以365個遺棄的嬰兒車制作這個大型裝置—嬰兒車經常被美國紐約哈林區露宿者去運送他們的物質—華德用哈林區廢棄消防局中撿到的消防喉綁起嬰兒車。華德設置福音歌手瑪哈莉雅傑克森《奇異恩典》的錄音重覆播放,環繞在展場之中。歌詞講述救贖和變化,帶出樂觀和希望。與他的大部分作品一樣,這個裝置探索主題都有關於他工作地區的物料和社區環境。這年展於2013年曾被美國新當代藝術博物館Studio 231藝術空間和多個歐州地方重新制造。隨著每一個裝置內容上的轉變,作品的重要性都因每個城區的社群不同地與作品聯系而改變。

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Liberty and Orders | Lehmann Maupin