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納利·華德

Balance Fountain

London

2023年11月15日–2024年1月6日

Detail of sculpture by Nari Ward

No.9 Cork Street

Mayfair, London W1S 3LL

Lehmann Maupin is pleased to present Balance Fountain, New York-based multidisciplinary artist Nari Ward’s first solo exhibition in London. The exhibition precedes a major European museum exhibition to be announced in the coming months. Adopting a distinctly spiritual approach, Balance Fountain probes the unseen forces that shape both unique cultures and global society, exposing ritual as a structural artistic device. The presentation features a series of new copper panel works, a selection of sculptures, and a large-scale floor installation, each composed of objects adjacent to ceremonial practice or devotional behavior.

Ward is best known for his wall- and installation-based sculptural works created from materials frequently found and collected throughout Harlem, his longtime neighborhood. The artist combines these materials to re-contextualize their original meanings, creating assemblage works that confront complex social and political realities (often surrounding race, migration, democracy, and community) through literal and metaphorical juxtaposition. Materially specific but intentionally ambiguous in their signification, Ward’s works encourage the viewer to explore many possible interpretations.

Installation view of Nari Warda at Lehmann Maupin New York
Installation Views: 1/3
Wall work by Nari Ward

納利·華德

Prayers Series; Circuit II, 2023

Wall work by Nari Ward

納利·華德

Shield Wrung, 2023

Wall work by Nari Ward

納利·華德

Peace Walk; Rally, 2023

納利·華德

Empire, 2023

納利·華德

Restin’ Dream, 2023

Wall work by Nari Ward

納利·華德

This little light of mine (red version), 2022

Sculpture by Nari Ward

納利·華德

Groundin’ Visible, 2023

Wall work by Nari Ward

納利·華德

Prayers Series; Circuit I, 2023

Wall work by Nari Ward

納利·華德

Prayers Series; Circuit III, 2023

Installation view of Nari Warda at Lehmann Maupin New York
Installation Views: 1/2
Wall work by Nari Ward

納利·華德

Restin’ Serenity, 2023

Portrait of Nari Ward

納利·華德 (1963 年生於牙買加聖安德魯,現居於紐約)利用他從城市收集得來的物料創作戲劇性的雕塑式裝置藝術。他重新利用物件如嬰兒車、購物車、水瓶、門、電視套裝、收銀機、鞋帶等。華德重新塑造這些從城市收集回來的物件引導觀眾思考,並帶出複雜和隱喻的意義—審視周圍環境的種族、貧窮和消費文化所產生的問題。他偏向由觀眾對其作品提出個人的闡釋,為作品留下開放性的意義。

華德的最代表性的作品是「Amazing Grace」,制作於1993年時他駐場在美國紐約哈林區畫室博物館,作品回應早期九十年代愛滋病和毒品流行的問題。華德以365個遺棄的嬰兒車制作這個大型裝置—嬰兒車經常被美國紐約哈林區露宿者去運送他們的物質—華德用哈林區廢棄消防局中撿到的消防喉綁起嬰兒車。華德設置福音歌手瑪哈莉雅傑克森《奇異恩典》的錄音重覆播放,環繞在展場之中。歌詞講述救贖和變化,帶出樂觀和希望。與他的大部分作品一樣,這個裝置探索主題都有關於他工作地區的物料和社區環境。這年展於2013年曾被美國新當代藝術博物館Studio 231藝術空間和多個歐州地方重新制造。隨著每一個裝置內容上的轉變,作品的重要性都因每個城區的社群不同地與作品聯系而改變。

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