Lehmann Maupin is pleased to present What the Season Left Behind. Hm? The Sky’s Clearing Up., a solo exhibition of new works by leading Japanese artist Mr., marking the artist’s first presentation in Seoul in over a decade. Featuring drawings, paintings, and installations, the exhibition highlights Mr.’s sustained engagement with the urban environment and the visual culture of everyday life. What the Season Left Behind. Hm? The Sky’s Clearing Up. follows the artist’s major museum exhibition, Mr. Solo Exhibition: We’ll Meet Again at the Fukuoka Asian Art Museum, the first large-scale exhibition in Japan dedicated to examining the core of Mr.’s artistic practice. Notably, his work has recently been acquired by leading American museums, including the Los Angeles County Museum of Art and the Phoenix Art Museum.
Born and raised in Japan, Mr. first gained recognition in the late 1990s for transforming the visual language of otaku culture—rooted in manga, anime, and video games—into a distinct artistic vocabulary. A former protégé of Takashi Murakami, Mr. is closely associated with the Superflat movement, whose flattened visual language draws from Japanese art history, manga, anime, and consumer culture. His inclusion in Murakami’s landmark 2000 exhibition Superflat helped establish his international profile, while his practice has also drawn from Arte Povera and its emphasis on unconventional materials and overlooked aspects of everyday life.
Mr.
A Cat’s-Eye View in the Back Alley, a Gathering of Cats, 2026
Mr.
Kumiko—A Walk With Friends, 2026
Mr.
Hikari and the Cat—The Day the World Looks Gentle., 2026
Mr.
My Heart Is on the Court, 2026
Mr. (1969年生於日本,在日本東京定居及工作) 研究動漫和漫畫中的視覺藝術語言,用日本文化融合不同形式的當代表現手法。與其他的超平面(superflat)藝術家如村上隆一樣,他的作品體現與批判禦宅族(Otaku)和他們所沈迷的可愛文化-一種迷戀青少年體態、科技、科幻文學、動漫、及電子遊戲的生活方式。除了對禦宅族的與趣,Mr.在1960年代積極參與意大術貧窮藝術運動,受到當時的藝術家以非傳統物料和目的性業余工作所啟發,Mr. 最早時期都是在商店收據、外賣菜單和其他收據上創作漫畫和繪畫。