Lehmann Maupin is pleased to present Sunset in My Heart, a solo exhibition of new work by Mr. (b. 1969, Cupa, Japan) who works in a variety of media including painting, drawing, video, performance, sculpture, and installation. Mr.’s most recent body of work exemplifies a maturation and growth within his practice. While his aesthetic remains committed to the Superflat (1) style for which he is best known, the works featured in Sunset in My Heart highlight the influence that the 2011 Tohoku earthquake, tsunami, and subsequent nuclear disaster have had on Mr.’s work in the years since. There will be an opening reception designed to recreate a Japanese summer festival with a performance by Mr. at the gallery (536 West 22nd Street.
For Sunset in My Heart, Mr. has returned to his expressive and experimental roots as a young artist, incorporating abstract elements like graffiti, and using distressed and sullied canvases. Mr. prepares the canvases by burning them, walking over them, and leaving them on his studio floor to collect dirt and debris. This new treatment of the canvas is directly connected to the artist’s early interest in the 1960s Italian art movement Arte Povera that inspired his first manga paintings he produced on store receipts, takeout menus, and other scraps of transactional detritus. Mr. uses the distressed surface of the canvas as a base for cartoon renderings inspired by the online milieu of his otaku (2) community, or sourced from the artist's collection of magazines, posters, and advertising. These recent works reflect the artist’s intensely personal reinterpretation of popular visual culture and the increasingly mediated ways we engage with one another.
Mr.
Whaaaaaaat!? Whyyyyyyy!?, 2015
Mr.
California, 2016
Mr.
The Alley at Sunset, 2016
Mr.
A Journey with no Goodbyes, 2016
Mr.
Time Gently Passing, 2016
Mr.
Ordinary Things that Will Always Be There, 2016
Mr.
Small Fairies have Arrived, 2016
Mr.
A Day When Many Dreams Come True, 2016
图书与限量作品
Mr. (1969年生於日本,在日本東京定居及工作) 研究動漫和漫畫中的視覺藝術語言,用日本文化融合不同形式的當代表現手法。與其他的超平面(superflat)藝術家如村上隆一樣,他的作品體現與批判禦宅族(Otaku)和他們所沈迷的可愛文化-一種迷戀青少年體態、科技、科幻文學、動漫、及電子遊戲的生活方式。除了對禦宅族的與趣,Mr.在1960年代積極參與意大術貧窮藝術運動,受到當時的藝術家以非傳統物料和目的性業余工作所啟發,Mr. 最早時期都是在商店收據、外賣菜單和其他收據上創作漫畫和繪畫。