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Mr.

Floating in the Air in the Vicinity of a Convenience Store

Hong Kong

9月14日–2017年10月21日

Installation view of Mr. at Lehmann Maupin Hong Kong

12 Pedder Street

Central, Hong Kong

Lehmann Maupin is pleased to present Floating in the Air in the Vicinity of a Convenience Store, Mr.’s (b. 1969, Cupa, Japan) first exhibition at Lehmann Maupin in Hong Kong and his fifth exhibition with the gallery since 2007. This exhibition will feature recent paintings, a sculpture, and a series of drawings.

Mr.’s work is closely linked to the Japanese movement “Superflat,” coined by artist Takashi Murakami in 2000. Superflat refers to a tendency toward two-dimensionality in Japanese visual art, animation, graphic design, and fashion that can be traced back to traditional painting of the 17th through 19th centuries known as nihonga. Contemporaneously, the style is linked with Japanese animation, anime, and comic books, manga, which proliferated after World War II. Over the span of nearly twenty years, Mr.’s oeuvre has elevated anime and manga subculture by highlighting its cultural significance rather than simply critiquing its frivolity.

Installation view of Mr. at Lehmann Maupin Hong Kong
Installation Views: 1/4
Drawing by Mr.

Mr.

Mika-chan, 2016

Drawing by Mr.

Mr.

Yo!, 2016

Drawing by Mr.

Mr.

A Staring Stare, 2015

Drawing by Mr.

Mr.

At the Shoe Locker, 2016

Drawing by Mr.

Mr.

When the Time Comes..., 2017

Drawing by Mr.

Mr.

Me on a Sunday Morning, 2017

Drawing by Mr.

Mr.

Iroha - A Study for Sculpture, 2017

Drawing by Mr.

Mr.

Errands - A Study, 2010

Drawing by Mr.

Mr.

A Part of a Story: Smartphone, 2016

Installation view of Mr. at Lehmann Maupin Hong Kong
Installation Views: 1/4
Drawing by Mr.

Mr.

Natsuki Noguchi, 2014

Drawing by Mr.

Mr.

Love You, 2014

Drawing by Mr.

Mr.

Yuka Onishi, 2015

Drawing by Mr.

Mr.

Determination and Ishihara, 2015

Drawing by Mr.

Mr.

A Part of a Story: In a Room, 2016

Drawing by Mr.

Mr.

On a Saturday Afternoon - A Study, 2010

图书与限量作品

Portrait of Mr.

Mr. (1969年生於日本,在日本東京定居及工作) 研究動漫和漫畫中的視覺藝術語言,用日本文化融合不同形式的當代表現手法。與其他的超平面(superflat)藝術家如村上隆一樣,他的作品體現與批判禦宅族(Otaku)和他們所沈迷的可愛文化-一種迷戀青少年體態、科技、科幻文學、動漫、及電子遊戲的生活方式。除了對禦宅族的與趣,Mr.在1960年代積極參與意大術貧窮藝術運動,受到當時的藝術家以非傳統物料和目的性業余工作所啟發,Mr. 最早時期都是在商店收據、外賣菜單和其他收據上創作漫畫和繪畫。

在2010年以前,Mr. 的繪畫描繪了被禦宅族情色化(hyper-sexualized)的虛構年輕女孩-「蘿莉控」(lolicon),反映禦宅族對年輕女孩的動漫形象的偏好。自2011年的東北地震帶來的一連串核事故,Mr. 開始擺脫 “可愛”的角色、鮮艷的色彩和整潔的線條,改以抽象粗糙的繪畫風格來探索毀滅的主題。2012年Mr. 在香港紐約立木畫廊和2015年在美國西雅圖藝術博物館舉行的展覽中,Mr. 展出一個以日本日常生活的物品和垃圾創作的大型裝置藝術,使觀眾有身臨其境的感覺,提醒人們在2011年災難發生後覆蓋東北的殘骸。Mr. 邀請觀眾與作品進行身體互動,一瞥日本人的心理狀態,體驗時同時亦保持陌生感。此後,Mr. 將這種情緒延伸到他的畫作中 - 踐踏、撕裂和燃燒他的畫布,使畫布的表面呈現仿舊的質感,往往與畫上用色明亮、天真無邪的卡通人物不一致。

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Floating in the Air in the Vicinity of a Convenience Store | Lehmann Maupin