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Mr.

Beyond the Alley, There…

3月17日–2022年4月23日

Painting by Mr.

Lehmann Maupin presents Beyond the Alley, There…, a solo exhibition of new work by artist Mr. (b. 1969, Cupa, lives and works in Saitama, Japan). This exhibition marks the artist’s sixth solo presentation with Lehmann Maupin, and precedes a highly anticipated forthcoming solo exhibition at Phoenix Art Museum, AZ, opening November 2022.

Reflecting his long-standing commitment to critically examining how both images and desire circulate in global internet culture, Beyond the Alley, There… features new, large-scale paintings, shaped head and body paintings, and works on paper. Central to Mr.’s practice is otaku, an increasingly prevalent and popular Japanese subculture of fandom oriented around reclusion and retreat into immersive fantasy worlds, particularly manga and anime. Interested in bridging popular visual and high-art cultures, the artist has compared himself to a translator, positioning anime, manga, and other hallmarks of otaku in the realm of fine art for a global audience. Far from a dispassionate observer, Mr. is himself immersed in otaku culture, and has noted that his works are at times reflections of his personal interests in fantasy and imaginative world-building. As he reinterprets otaku aesthetics for an international art world, Mr. is simultaneously outsider and insider, reporter and diarist.

Installation view of Mr. at Lehmann Maupin New York
Installation Views: 1/4
Installation view of Mr. at Lehmann Maupin New York
Installation Views: 1/4
Painting by Mr.

Mr.

This and That in the World, 2022

Portrait of Mr.

Mr. (1969年生於日本,在日本東京定居及工作) 研究動漫和漫畫中的視覺藝術語言,用日本文化融合不同形式的當代表現手法。與其他的超平面(superflat)藝術家如村上隆一樣,他的作品體現與批判禦宅族(Otaku)和他們所沈迷的可愛文化-一種迷戀青少年體態、科技、科幻文學、動漫、及電子遊戲的生活方式。除了對禦宅族的與趣,Mr.在1960年代積極參與意大術貧窮藝術運動,受到當時的藝術家以非傳統物料和目的性業余工作所啟發,Mr. 最早時期都是在商店收據、外賣菜單和其他收據上創作漫畫和繪畫。

在2010年以前,Mr. 的繪畫描繪了被禦宅族情色化(hyper-sexualized)的虛構年輕女孩-「蘿莉控」(lolicon),反映禦宅族對年輕女孩的動漫形象的偏好。自2011年的東北地震帶來的一連串核事故,Mr. 開始擺脫 “可愛”的角色、鮮艷的色彩和整潔的線條,改以抽象粗糙的繪畫風格來探索毀滅的主題。2012年Mr. 在香港紐約立木畫廊和2015年在美國西雅圖藝術博物館舉行的展覽中,Mr. 展出一個以日本日常生活的物品和垃圾創作的大型裝置藝術,使觀眾有身臨其境的感覺,提醒人們在2011年災難發生後覆蓋東北的殘骸。Mr. 邀請觀眾與作品進行身體互動,一瞥日本人的心理狀態,體驗時同時亦保持陌生感。此後,Mr. 將這種情緒延伸到他的畫作中 - 踐踏、撕裂和燃燒他的畫布,使畫布的表面呈現仿舊的質感,往往與畫上用色明亮、天真無邪的卡通人物不一致。

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Beyond the Alley, There… | Lehmann Maupin