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麗莎·露

Both Sides, Now

Palm Beach

1月28日–2021年2月20日

Detail of wall work by Liza Lou

I’ve looked at Clouds from both sides now/from up and down/and still somehow/it’s cloud illusions I recall/I really don’t know clouds at all. — Joni Mitchell

Lehmann Maupin is pleased to announce Both Sides, Now, a presentation of new and recent works by Los Angeles-based artist Liza Lou at the gallery’s newly opened Palm Beach space. Showcasing a wide range of Lou’s practice—including painting, sculpture, and drawing—this focused presentation highlights Lou’s decades-long utilization of labor intensive processes and glass beads as metaphor, painting surface, and sculptural form.

Installation view of Liza Lou at Lehmann Maupin Palm Beach
Installation Views: 1/4
Wall work by Liza Lou

麗莎·露

Drawing Water, 2020

Sculpture by Liza Lou

麗莎·露

Aggregate: Bronze, 2018

Wall work by Liza Lou

麗莎·露

Both Sides, Now, 2021

Wall work by Liza Lou

麗莎·露

Untitled, #18, 2012

Wall work by Liza Lou

麗莎·露

Chopping Wood, 2020

Wall work by Liza Lou

麗莎·露

Magenta/Solid, 2012-2014

Wall work by Liza Lou

麗莎·露

Blush/Solid, 2012-2014

Wall work by Liza Lou

麗莎·露

Flesh/Solid, 2012-2014

Wall work by Liza Lou

麗莎·露

Slate/Solid, 2012-2014

Wall work by Liza Lou

麗莎·露

Zinc Umber/Divide, 2012-2014

Portrait of Liza Lou

麗莎·露(1969年生於美國紐約;目前於洛杉磯工作及生活)1996年在紐約新當代藝術博物館展出了一比一大小的廚房雕塑作品,引起關注。她開創先河,利用玻璃小彩珠作為雕塑的原材料。通過其緩慢的手工制作過程,廚房成為女性的紀念碑,代表著女性勞工在歷史上一直被忽視。該項目確立了她對物質、社會實踐和監禁的探索。

2005年,露移居至南非的誇祖魯.納塔爾省,她在省內聘請一群精通珠飾傳統工藝的祖魯族女性,共同協作「Security Fence」(2005)的大型雕塑。藝術家與祖魯族女匠一同工作,重新思考在非西方的歷史和社會學框架中實踐藝術,並強調以材料和勞動為主要題材。在過去的十年中,露專註於極簡主義的調色,利用由手汗、油和瑕疵引起的顏色的自然變化作為色調標記制作方式。在她的單色、像素化、編織的「繪畫」中,有玻璃珠微妙的變化和條紋,在作品創作的重覆和無形過程之下,展現人性和美感。

了解艺术家
Both Sides, Now | Lehmann Maupin