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歐文·沃姆

Yes Biological

New York

1月16日–2020年2月22日

Installation view of Yes Biological at Lehmann Maupin New York

501 West 24th Street

New York, NY 10011

Lehmann Maupin is pleased to announce Yes Biological, an exhibition of new sculptures by Erwin Wurm. For the last two decades, the Austrian artist has redefined the ways we understand and look at absurdity in his sculptural, performative, and engaging works. For this exhibition, Wurm will combine biological effects to create a new series that pushes the boundaries of sculpture even further.

Featured in the exhibition is a work from Wurm’s now-iconic One Minute Sculpture series, which highlights the artist’s interest in the absurdity that can be found in mundane scenarios of daily life―a theme that was the focus of Wurm’s presentation for the Austrian Pavilion at the 57th Venice Biennale. For a full minute, audience members actively become a part of the work, as choreographed by the artist. Underlying this physical engagement is a commentary on gallery-goers’ attention span as well as the importance of a viewer’s engagement with works of art as a necessary agent for their completion.

Installation view of Yes Biological at Lehmann Maupin New York
Installation Views: 1/4
Sculpture by Erwin Wurm

歐文·沃姆

Fountain, 2011/2019

图书与限量作品

Portrait of Erwin Wurm

埃爾溫·沃姆 (1954 年生於奧地利施泰爾安德莫爾,現居於奧地利維也納)是一位奧地利藝術家,在過去的四十年裡,他的創作實踐極大地拓展了雕塑的可能性。沃姆的作品根植於關於雕塑本質、空間構成以及人體、日常物品和姿態如何轉化為雕塑形式的概念性問題,挑戰著人們對雕塑媒介的傳統定義。儘管他的作品中充斥著超大尺寸的醃黃瓜、擬人化的香腸、空蕩蕩的西裝以及比例失調的房屋,但沃姆最著名的作品還是他標誌性的《One Minute Sculpture》。這些作品指導參與者用日常物品擺出不合邏輯的姿勢來創作臨時雕塑。透過他充滿悖論的作品,沃姆直面當代社會的哲學問題——從對地位和消費主義的痴迷,到對傳統價值體系的焦慮,再到現代心理學的複雜性。同時,這位藝術家透過對體積、表面、尺度和時間的大膽形式實驗,探索雕塑的全新可能性。儘管沃姆認為荒誕是重要的創作工具,但其作品中始終蘊含著對當代文化的社會批判。沃姆強調這種二元性,他遊走於高雅與通俗的邊緣地帶,融合不同的藝術流派,探索他眼中虛構的現實。

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