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多米尼克·錢伯斯

Leave Room for the Wind

New York

1月4日–2024年2月3日

Painting by Dominic Chambers

501 West 24th Street

New York, NY 10011

Lehmann Maupin is pleased to announce Leave Room for the Wind, an exhibition of new work by artist Dominic Chambers. Born in St. Louis, MO (1993) and currently based in New Haven, CT, Chambers creates vibrant paintings that frequently portray scenes of leisure, joy, and quiet contemplation. In his newest body of work, Chambers continues his examination of the contemporary role of leisure—focusing on its relationship to nature—and explores how art can function as a mode for understanding, recontextualizing, or renegotiating one’s relationship to the world. Leave Room for the Wind coincides with the artist’s debut solo museum exhibition at the Contemporary Art Museum St. Louis (on view through February 15, 2024) and marks the artist's first major solo exhibition in New York.

Chambers is often inspired by literature ­and has cited Magical Realism, alongside writings by W.E.B. Du Bois, Ralph Ellison, and James Baldwin, as significantly influential to his practice. For Leave Room for the Wind, Chambers turned to poetry, engaging with the writing of Tracy K. Smith, Ocean Vuong, and Mary Oliver. The artist took particular inspiration from Oliver’s book-length poem The leaf and the Cloud, in which the author states “I will leave room for the wind combing the grass, / for the feather falling out of the grouse’s fan-tail, / and fluttering down, like a song.” Drawing simultaneously from the art historical cannon and combining fundamental tenets from formal models like color field painting and gestural abstraction, in this body of work Chambers explores the recreational activity of kite flying, considering what it might mean to “leave room for the wind” as Oliver suggests.

Installation view of Dominic Chambers at Lehmann Maupin New York
Installation Views: 1/4
Painting by Dominic Chambers

多米尼克·錢伯斯

Pileus Cloud, 2023

Painting by Dominic Chambers

多米尼克·錢伯斯

The Weather in Space, 2023

Painting by Dominic Chambers

多米尼克·錢伯斯

Shadow Hour, 2023

Work on paper by Dominic Chambers

多米尼克·錢伯斯

Shadow Hour #1, 2024

Work on paper by Dominic Chambers

多米尼克·錢伯斯

Study for Octavia, 2024

Work on paper by Dominic Chambers

多米尼克·錢伯斯

Study for Zora, 2024

Work on paper by Dominic Chambers

多米尼克·錢伯斯

Untitled (Leave Room for the Wind), 2024

Painting by Dominic Chambers

多米尼克·錢伯斯

A Summer Day (Roslyn), 2023

Installation view of Dominic Chambers at Lehmann Maupin New York
Installation Views: 1/3
Painting by Dominic Chambers

多米尼克·錢伯斯

Where Our Blue is (Ophelia), 2023

Painting by Dominic Chambers

多米尼克·錢伯斯

Where the Laughter Gathers (Isadora), 2023

Painting by Dominic Chambers

多米尼克·錢伯斯

Leave Room for the Wind, 2023

媒体聚焦

Portrait of Dominic Chambers

多米尼克.錢伯斯(1993年出生於美國密蘇里州的聖路易斯,日前工作與生活在康乃狄克州的紐哈芬市)的生動繪畫與藝術史脈絡息息相關,如色域繪畫與姿態抽象,藝術家關注的主題圍繞在種族、身份、休閒與沈思的重要性等當代議題上。錢伯斯對於藝術如何作為一種理解的方式、如何再脈絡化及如何在人與世界之間溝通的關係等模式深感興趣。藝術家將繪畫視為批判與知識的創作,也是美學的實踐。同時身為作家,錢伯斯的靈感來自文學作品,特別是魔幻寫實主義和美國社會學家杜波依斯的經典創作《黑人的靈魂》以及其探討的核心主題——受蒙蔽的社會。種族不公的產物是藝術家透過其黑人身體所觀察和親身經歷的隱喻鏡頭。蒙蔽的意象也貫穿在藝術家的創作中,不論是在《Wash Paintings》系列中以大片色彩遮蔽人物的圖像或是繪畫中反覆使用的雨滴圖案,皆為錢伯斯創作中常見的主題及元素。錢伯斯的許多作品融入了預言主義的元素,包含將幽靈般的剪影暗喻成藝術家的替身及熟悉卻不可替代的超現實風景。

錢伯斯近年多以描繪在休息與沈思中的親朋好友們為主要的創作特色。「很多時候,黑人的身體在人們既定的印象中被認定為持續工作且無法休息的狀態。」藝術家解釋:「談論到黑人身體時,人們時常將黑人與奴隸、反抗和抵抗的行為聯想在一起。」在其《Primary Magic 》和《After Albers》創作系列中,錢伯斯試圖消弭這些關聯,他繪畫中的主角不是在閱讀就是陷入沈思中,他們的目光似乎注視著遠遠超過畫面的範圍。錢伯斯將繪畫中的人物安排在不斷變化中的單色夢境中,並暗示了大環境的易變性,其繪畫場景喚起沈浸在閱讀一本好書的樂趣及享受與自己安靜的反思體驗。藝術家將色彩視為作品中的主角之一,色彩與解開創作者在畫面中埋伏的背後寓意同樣重要。錢伯斯巧妙地處理對比色之間的張力與相互的作用,為他的作品帶來微妙的創作火花,藝術家對色彩平衡的處理則為作品注入了和諧的詩意。

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Leave Room for the Wind | Lehmann Maupin