Lehmann Maupin is pleased to announce an exhibition of new paintings by Billy Childish. The prolific British painter, musician, and writer has produced hundreds of albums of music and dozens of volumes of fiction and poetry. For his sixth exhibition with the gallery, and his first with Lehmann Maupin in Korea, Childish has created a body of work emblematic of his “radical traditionalist” approach. Pulling from themes found throughout art history—a verdant landscape, a sunset, a still life—Childish presents intensely personal vignettes that feel archetypical, vibrating with the kinetic energy of a moment lived.
While working in a state of flow is essential to the creative process of any artist, for Childish this state represents the entirety of artistic production. Working intuitively and quickly, his highly kinetic paintings are mostly created in a single session without any revision. His style is often compared to the expressionist painters of the late 19th/early 20th century, such as Vincent van Gogh and Edvard Munch, but for Childish it is the embodiment of these artists’ spiritual and creative integrity, and how this informed their roles within society, that is most compelling. An unabashed universalist, Childish considers artistry to be the inheritance of every human being, a method to capture the expressive impulse and visualize the powerful lure of beauty.
比利·查爾迪斯
three suns, 2019
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wolf, trees and road, 2019
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midnight sun / frozen lake, 2017
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wolf in birch trees, 2019
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fallen tree across river, 2019
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My job is to make a picture, and my job is to do what the picture requires, and that means that there’s no ego attachment or, in effect, any involvement of “me” at all. And the less of my involvement there is, the easi- er it goes. If I try to get involved, then there’ll be all sorts of chaos. It’s complete free flow. The dream world made manifest. They paint themselves. trees and sky, 2019
比利·查爾迪斯
family of trees, 2019
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tree overlooking sea, 2017
比利·查爾迪斯
Authentic response means you need to be in your heart, in yourself, because then you can respond authentically. You don’t need to try to find new ways unnecessarily, innova - tive ways of taking art forward. Everything is already here. We’re already completely equipped. irises, 2020
查爾迪斯曾先後於1977年和1978年在英國肯特Medway College of Design及倫敦中央聖馬汀藝術設計學院讀書。他曾在多個畫廊及美術館舉行個人展覽,包括英國肯特羅切斯特美術館(2016年)、德國法蘭克福呂塞爾斯海姆特色博物館(2016年)、美國紐約White Columns(2010年)及英國倫敦當代藝術學院(2010年)。他亦曾參與多個群體展覽,包括倫敦Pushkin House的「BILLY CHILDISH, HARRY ADAMS and EDGEWORTH JOHNSTONE: Our Friend Larionov」(2014年)、德國亞琛的「Paintings Sweet Paintings」(2014年)及愛丁堡城市藝術中心的「British Art Show 5」(2000年)。