Parkett No. 20 published in June 1989 changed our collective life. The images, the essays, the dialogues were nothing short of revelatory and energized our work beyond belief.
You see, unlike most art journals that are about creative work, Parkett has consistently been a creative work of art in and of itself.
Parkett is not a mirror. It is a looking glass that the KOS family and I had no hesitation to leap through.
We deeply appreciated the dialectical power of the journal as phenomenon and its motivation to build a critical community approaching the subject (our process and artwork) from all approaches (even some very critical of what we were doing at the time.) And so much hard fun working with Bice, Jacqueline, Karen Marta and the stupendous designer Trix Wetter.
Parkett has been and certainly will continue to be Prescient... an in your face Gift.