Ooze | Lehmann Maupin

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Ooze

New York

2월 17일–2007년 3월 24일

540 W 26th St

New York, NY 10001

Tony Oursler will present a new body of work for his third exhibition at Lehmann Maupin Gallery, 540 West 26th Street, New York City. The exhibition will be on view from 17 February through 24 March 2007. An extension of his drawings, collages and video sculptures, the exhibition will consist of large aluminum wall panels of unprecedented scale evoking the same spontaneity as his works on paper. As if magnifications of stop-motion photographs, the forms are reminiscent of liquid the moment it splatters on a surface.

These new works are a collision between painting and video, with Oursler continuing to innovatively employ sculpture, performance, video and painting. His use of laser-cut aluminum for the first time allows for dynamic new shapes and the insertion of videos, which have been pinched and pulled via computer manipulation to fit within the splatter forms. Exploring the ways that media affects the human psyche is a constant theme in Oursler's work, and here, the mixing of morphed videos, muffled sounds and odd forms engages the viewer in sometimes disturbing ways.

Installation view of Ooze at Lehmann Maupin New York

Tony Oursler (b. 1957, New York, NY; lives and works in New York, NY) is best known for his innovative integration of video, sculpture, performance and installation. A pioneering figure in new media since the 1970s, Oursler has since explored diverse methods of exploring popular culture, historical and sub-cultural themes while incorporating the moving image into his practice, breaking video art out of the two-dimensional screen to create immersive environments with the use of light sound and projections. In 2000, Oursler began a series of large scale outdoor projection projects which incorporate landscape, water, smoke, trees, architecture, performative and sculptural elements; some are permanently installed. His sculptures, wall works and installations present a rich visual multimedia experience which often incorporates cultural references and information that seeks to actively engage the viewer. His artworks often employ poetics and humor to explore a wide range of subjects such as belief systems, facial recognition, superstition, conspiracy theories, UFOs and the role technology plays in altering, inhibiting, and expanding social behavior.

Oursler received a B.F.A. from the California Institute of the Arts in 1979. Solo exhibitions of his work have been organized at Kunst Museum Winterthur, Winterthur, Switzerland (forthcoming, 2025); Boca Raton Museum of Art, Boca Raton, FL (2024); SCAI PIRAMIDE, Tokyo, Japan (2024); Photo Elysée, Lausanne, Switzerland (2022); K11 Musea, Hong Kong (2021); Kunstraum Dornbirn, Dornbirn, Austria (2021); Kaohsiung Museum of Fine Arts, Kaohsiung City, Taiwan (2021); Musée d’Arts de Nantes, Nantes, France (2020); Nanging Eye Pedestrian Bridge, Nanjing, China (2019); Public Art Fund, New York, NY (2018); The Museum of Modern Art, New York, NY (2016); LUMA Foundation, Arles, France (2015); Stedelijk Museum, Amsterdam, the Netherlands (2014); Tate Modern, London, United Kingdom (2013); Museu de Arte Moderna, São Paulo, Brazil (2013); Pinchuk Art Centre, Kiev, Ukraine (2013); Art Sonje Center, Seoul, South Korea (2012); ARoS Aarhus Kunstmuseum, Aarhus, Denmark (2012); and Jeu de Paume, Paris, France, traveling to the DA2 Domus Artium, Salamanca, Spain, and the Kunstforeningen, Copenhagen, Denmark (2005), among numerous others.

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