Sergio Prego typically examines our set notions of space and of time's linear development. For his first exhibition at Lehmann Maupin, Sergio Prego will present two films and large sculptures where time is suspended and space is manipulated.

The new film Black Monday depicts a small explosion and plume of smoke captured from several viewpoints in the artist's studio. This single moment is fixed in time then manipulated with a computer to upset the usual relationship between space and time, creating what appears to be a three-dimensional sculpture in video.