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Mike Kelley, 토니 아워슬러

The Poetics Project: 1977-1997

New York

5월 28일–1998년 7월 31일

Installation view of The Poetics Project: 1977-1997

39 Greene St

New York, NY 10013

Lehmann Maupin is pleased to announce an exhibition of this collaborative project between Mike Kelley and Tony Oursler. This work is an on-going project that has had various manifestations. Lehmann Maupin will present a version of the original video installation done in a space designed by American architect Richard Meier at the Museum of Contemporary Art in Barcelona, Spain (MACBA). The installation has been adjusted to the gallery space at Lehmann Maupin designed by Dutch architect Rem Koolhaas.

This installation consists of five color projections with musical soundtracks by the Poetics which project out onto free hanging, curved projection screens which approximate the curvature of the walls of the original MACBA location. A sixth projection at eyelevel shows black and white documentary interview footage.

Installation of The Poetics Project: 1977-1997, Barcelona Version at Lehmann Maupin New York
Installation Views: 1 / 4
Portrait of Tony Oursler

Tony Oursler (b. 1957, New York, NY; lives and works in New York, NY) is best known for his innovative integration of video, sculpture, performance and installation. A pioneering figure in new media since the 1970s, Oursler has since explored diverse methods of exploring popular culture, historical and sub-cultural themes while incorporating the moving image into his practice, breaking video art out of the two-dimensional screen to create immersive environments with the use of light sound and projections. In 2000, Oursler began a series of large scale outdoor projection projects which incorporate landscape, water, smoke, trees, architecture, performative and sculptural elements; some are permanently installed. His sculptures, wall works and installations present a rich visual multimedia experience which often incorporates cultural references and information that seeks to actively engage the viewer. His artworks often employ poetics and humor to explore a wide range of subjects such as belief systems, facial recognition, superstition, conspiracy theories, UFOs and the role technology plays in altering, inhibiting, and expanding social behavior.

Oursler received a B.F.A. from the California Institute of the Arts in 1979. Solo exhibitions of his work have been organized at Kunst Museum Winterthur, Winterthur, Switzerland (forthcoming, 2025); Boca Raton Museum of Art, Boca Raton, FL (2024); SCAI PIRAMIDE, Tokyo, Japan (2024); Photo Elysée, Lausanne, Switzerland (2022); K11 Musea, Hong Kong (2021); Kunstraum Dornbirn, Dornbirn, Austria (2021); Kaohsiung Museum of Fine Arts, Kaohsiung City, Taiwan (2021); Musée d’Arts de Nantes, Nantes, France (2020); Nanging Eye Pedestrian Bridge, Nanjing, China (2019); Public Art Fund, New York, NY (2018); The Museum of Modern Art, New York, NY (2016); LUMA Foundation, Arles, France (2015); Stedelijk Museum, Amsterdam, the Netherlands (2014); Tate Modern, London, United Kingdom (2013); Museu de Arte Moderna, São Paulo, Brazil (2013); Pinchuk Art Centre, Kiev, Ukraine (2013); Art Sonje Center, Seoul, South Korea (2012); ARoS Aarhus Kunstmuseum, Aarhus, Denmark (2012); and Jeu de Paume, Paris, France, traveling to the DA2 Domus Artium, Salamanca, Spain, and the Kunstforeningen, Copenhagen, Denmark (2005), among numerous others.

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The Poetics Project: 1977-1997 | Lehmann Maupin