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The Fundamental Pictures

New York

5월 3일–1997년 6월 28일

Installation view of The Fundamental Pictures at Lehmann Maupin New York

39 Greene St

New York, NY 10013

The Fundamental Picture, the latest series of thirty-nine works by English artists Gilbert & George will be exhibited simultaneously at the Lehmann Maupin and Sonnabend Galleries from 3 May through 28 June 1997. A fully-illustrated catalogue and CD-Rom will accompany this exhibition as well as a website beginning 9 May at gilbertandgeorge.co.uk.

Gilbert & George have been collaborating since they met in 1967 at the St. Martin’s School in London. As students they adopted the form of “living sculptures” by walking through the streets and parks of London covered from head to toe in metallic make-up. Later, they moved their performances to indoor exhibition spaces and began touring internationally. From the outset, Gilbert & George wanted to collapse the distance between art and the artist. Since “Living Sculptures,” they have worked in a variety of media including books, film, and photo pieces which they also consider “sculpture” and, in doing so, have transcended the modernist tenets of performance and process art as well as conceptualism. Bodily fluids have served as inspiration for their latest work. By examining samples of urine, semen, blood and excrement under a microscope, the artists discovered an abstract vocabulary that is the basis for The Fundamental Pictures. The series contains different combinations of bodily fluids colored in striking flat tones, some featuring the artists. Using the most basic fluids of life, they have created a strong visual language which directly reflects their philosophy of art as a means of direct and universal communication. According to the artists, “We like it very much when the pictures take over...when the picture looks at you.”

Portrait of Gilbert & George

Gilbert & George (b. 1943, San Martin de Tor, Italy & 1942, Plymouth, United Kingdom; lives and works in London, United Kingdom) met in 1967 in art school at Saint Martin’s, where they first developed their signature form of “living sculptures” by walking around the streets of London with their heads and hands coated with multi-color metallic powders. Since then, they have lived and worked together, their individual identities subsumed into a vision of animate sculpture, becoming representations of the universal human condition, which is a central theme in their work. Their embrace of video technology, along with their well-known photo-collage works, allowed Gilbert & George to extend their living sculptures beyond a particular time and place and broadcast their art to wider audiences, establishing their motto of “art for all.”

Shortly after art school, they moved to London’s East End, then a bustling immigrant and working-class neighborhood, which has served as their home and studio for almost 50 years. Their changing neighborhood, which has become a gentrified creative center, has significantly influenced their work. The artists often appear in their work as witnesses to life unfolding in the sociopolitical and urban conditions of this area. Through imagery specific to London and the East End in particular, Gilbert & George create an ongoing portrait of the city that includes street signs, ginkgo trees, graffiti, postering, and gum-stained sidewalks.

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The Fundamental Pictures | Lehmann Maupin