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THE BEARD PICTURES

Hong Kong

1월 10일–2019년 3월 16일

Gilbert & George

THE BEARD PICTURES exemplifies Gilbert & George’s commitment to “Living Sculpture,” or an inseparable association between the world and their art. The pictures respond to the shifting demographics of our time, befitting the artists’ proclamation of “Art for All.” Viewers should not mistake this mandate for a democratic approach to art as a pleasantry. Taboos, fetishes, political upheaval, and the functions of the human body are some of the great unifiers of humanity, and Gilbert & George have long offered scathing and unsanitized views. The gallery will host a reception on Thursday, January 10, from 6 to 8 PM in Hong Kong, and 5-7 PM in Seoul.

The British novelist Michael Bracewell elaborates on the sentiment of these latest works:

Gilbert & George
Installation Views: 1 / 3
The Beard Pictures by Gilbert & George

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BEARD HONOR, 2016

The Beard Pictures by Gilbert & George

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EMBEARD, 2016

The Beard Pictures by Gilbert & George

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BEARDMOOR, 2016

The Beard Pictures by Gilbert & George

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BEARDORAGE, 2016

The Beard Pictures by Gilbert & George

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BEARDCAMP, 2016

The Beard Pictures by Gilbert & George

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BLESS THIS BEARD, 2016

The Beard Pictures by Gilbert & George

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BLOODBEARD, 2016

The Beard Pictures by Gilbert & George

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VOTE BEARD, 2016

The Beard Pictures by Gilbert & George

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BEARDNEST, 2016

Gilbert & George
Installation Views: 1 / 2
The Beard Pictures by Gilbert & George

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BEARD TRIM £3, 2016

The Beard Pictures by Gilbert & George

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FUCK OFF HIPSTERS, 2016

Portrait of Gilbert & George

Gilbert & George (b. 1943, San Martin de Tor, Italy & 1942, Plymouth, United Kingdom; lives and works in London, United Kingdom) met in 1967 in art school at Saint Martin’s, where they first developed their signature form of “living sculptures” by walking around the streets of London with their heads and hands coated with multi-color metallic powders. Since then, they have lived and worked together, their individual identities subsumed into a vision of animate sculpture, becoming representations of the universal human condition, which is a central theme in their work. Their embrace of video technology, along with their well-known photo-collage works, allowed Gilbert & George to extend their living sculptures beyond a particular time and place and broadcast their art to wider audiences, establishing their motto of “art for all.”

Shortly after art school, they moved to London’s East End, then a bustling immigrant and working-class neighborhood, which has served as their home and studio for almost 50 years. Their changing neighborhood, which has become a gentrified creative center, has significantly influenced their work. The artists often appear in their work as witnesses to life unfolding in the sociopolitical and urban conditions of this area. Through imagery specific to London and the East End in particular, Gilbert & George create an ongoing portrait of the city that includes street signs, ginkgo trees, graffiti, postering, and gum-stained sidewalks.

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THE BEARD PICTURES | Lehmann Maupin