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Films and Video Sculptures, 1972-1981

New York

7월 1일–2014년 8월 8일

Film and Video by Gilbert & George

201 Chrystie St

New York, NY 10002

Lehmann Maupin is pleased to present a group of seminal films and video sculptures by pioneering artists Gilbert & George. Among the longest-enduring artist duos, they have had sustained influence on the contemporary art world for the past fifty years. The exhibition Films and Video Sculptures, 1972-1981 will be shown in the gallery’s 201 Chrystie Street location and represents an integral, transitional link between the artists’ early art and their later, more widely known large-scale pictures. This exhibition is the artists’ fifth show with Lehmann Maupin.

At the beginning of their art-life, Gilbert & George developed their signature form of “Living Sculpture,” embodying a sense of “being” over “doing” and upending traditional modes of art practice. With their individual identities subsumed into this vision of animate sculpture, the artists became representations of the universal human condition, a central theme in their work. Their belief in “Art for All”—that art should strive for a meaningful connection to the viewer’s everyday life, rather than a connection that can only be understood through formal arts education—infuses their art with a democratic vigor and remains a vital aspect of their vision to this day.

Installation view of Films and Video Sculptures, 1972-1981 at Lehmann Maupin New York
Installation Views: 1 / 2

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Portrait of Gilbert & George

Gilbert & George (b. 1943, San Martin de Tor, Italy & 1942, Plymouth, United Kingdom; lives and works in London, United Kingdom) met in 1967 in art school at Saint Martin’s, where they first developed their signature form of “living sculptures” by walking around the streets of London with their heads and hands coated with multi-color metallic powders. Since then, they have lived and worked together, their individual identities subsumed into a vision of animate sculpture, becoming representations of the universal human condition, which is a central theme in their work. Their embrace of video technology, along with their well-known photo-collage works, allowed Gilbert & George to extend their living sculptures beyond a particular time and place and broadcast their art to wider audiences, establishing their motto of “art for all.”

Shortly after art school, they moved to London’s East End, then a bustling immigrant and working-class neighborhood, which has served as their home and studio for almost 50 years. Their changing neighborhood, which has become a gentrified creative center, has significantly influenced their work. The artists often appear in their work as witnesses to life unfolding in the sociopolitical and urban conditions of this area. Through imagery specific to London and the East End in particular, Gilbert & George create an ongoing portrait of the city that includes street signs, ginkgo trees, graffiti, postering, and gum-stained sidewalks.

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