Alexey Kallima will present a new body of work for his first solo gallery exhibition in New York. A refugee from Grozny, Chechnya, Kallima fled to Moscow shortly after the Russian invasion in 1994. The artist frequently references the effects of this turmoil in his politically-charged paintings and installations. For this exhibition, Kallima will present a group of new large scale paintings and a dynamic installation referencing the current Russian police state.

Although Alexey Kallima has moved beyond the traditional academic training he received at the University of Krasnodar towards a more expressive language, he acknowledges the monumental character and principles of historical painting in his work, which examines the ongoing Russian/Chechen conflict and his personal and highly political response as a refugee. A series of paintings and drawings, Chechen Women's Team of Parachute Jumping and Its Virtual Fans depicts young woman in varying stages of parachuting that recall the segregated teams Kallima observed as a child. While Russian propaganda maintains that the conflict is over, the Chechen economy has been paralyzed and segregation is still prevalent. Kallima's work imagines a utopian world where ethnicity does not temper equality. His use of perspective and expressive brushstroke reveals his interest in representing the heroism of the Chechen people and his affection towards them.