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Gallery Exhibitions

Museum Exhibitions & Projects

Museum Exhibition

L'Ecole des Beaux Art...
Mickalene Thomas: Femme au divan II

July 5 – August 31, 2014

museum exhibition

George Eastman House
Happy Birthday to a Beautiful Woman

June 20 – October 19, 2014

Artist Project

Mickalene Thomas
Decópolis: The Talent of Others

February 6 - 24, 2013
The Proposition, New York

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Artist Bio

Mickalene Thomas

News

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas

February 15 2018

PRESS

Elle

January 17, 2018

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Ocula

December 20, 2016

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Artomity

December 15, 2016

News

What Happens When Artists Take Over an Upper East Side Mansion W Magazine

April 5 2016

News

Mickalene Thomas on Muses, Models, and Mentors Interview Magazine

March 10 2016

News

‘Muse: Mickalene Thomas Photographs’ and ‘Tête-à-Tête’What to See in New York Art Galleries This Week New York Times

February 11 2016

News

Mickalene Thomas on Her Photographic Muses Vogue

February 6 2016

News

Kindred spirits: Mickalene Thomas' collaborative photography at Aperture Wallpaper* Magazine

February 2 2016

News

In Mickalene Thomas’s awe-inspiring portraits, a meaningful reflection of black women in art New York Times

January 29 2016

News

Tour Mickalene Thomas's Brooklyn Townhouse Vogue

January 6 2016

News

Panel Discussion including Mickalene Thomas Art Basel Miami Beach 2015

December 3 2015

News

Mickalene Thomas Receives 2015 United States Artist Fellowship Award

November 10 2015

News

Beautiful Photos Of Women Take On Stereotypes Through High Art Refinery29

November 4 2015

PRESS

The New York Times

July 18, 2014

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Time Out New York

July 7, 2014

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Interview Magazine

June 26, 2014

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Huffington Post

June 26, 2014

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New York Observer / Gallerist NY

June 20, 2014

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American Art

Spring 2014

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Vogue

February 17, 2014

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The New York Times

June 14, 2013

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Phaidon

June 13, 2013

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Whitewall

June 12, 2013

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Artspace

June 7, 2013

News

Wallpaper* Brooklyn queen of bling Mickalene Thomas bedazzles with her rhinestone-studded canvases

June 2013

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ARTnews

April 2013

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Opening Ceremony

March 20, 2013

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Artforum

February 14, 2013

News

ICA Boston Mickalene Thomas

December 12, 2012 - April 7, 2013

PRESS

ANP Quarterly

Vol 2 / No 7

PRESS

The Wall Street Journal

November 23, 2012

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The New Yorker

November 12, 2012

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Financial Times Mickalene Thomas: Origin of the Universe, Brooklyn Museum, New York

November 7, 2012

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The New York Observer

November 5, 2012

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Artforum

November 2012

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Modern Painters

October 2012

News

Brooklyn Museum, NY Mickalene Thomas: Origin of the Universe

28 September – 20 January 2012

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The New York Times

September 28, 2012

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The Wall Street Journal

September 27, 2012

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The Wall Street Journal

September 24, 2012

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The New York Times

September 21, 2012

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Time Out New York

September 13-19, 2012

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W Magazine

September 2012

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Vogue

September 2012

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New York Magazine

August 27, 2012

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Art Review

May 31, 2012

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Artinfo

May 15, 2012

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Huffington Post

April 25, 2012

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Los Angeles Times

April 21, 2012

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The New York Times

March 30, 2012

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Artforum

December 31, 2011

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Artforum

December 1, 2011

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Velvet Magazine

October 31, 2011

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The New York Times

October 20, 2011

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Loop 21

October 18, 2011

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The New Yorker

October 7, 2011

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The Village Voice

October 5, 2011

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Photograph Magazine

October 5, 2011

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Whitewall

September 29, 2011

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Artinfo

September 26, 2011

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Arude

September 13, 2011

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Modern Painters

August 31, 2011

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Paper

August 31, 2011

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Bomb

May 31, 2011

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Bomb Video Mickalene Thomas: Behind the Scenes

Summer 2011

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Life and Times

May 23, 2011

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Art in America

February 17, 2011

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Artnews

December 31, 2010

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NBC Washington

August 22, 2010

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A Sky Filled With Shooting Stars

July 29, 2010

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V Magazine In The Flesh

April 30, 2010

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New York Observer A Window on Art: Mickalene Thomas' Shiny Sex-Appeal Paintings

April 26, 2010

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Weltkunst

January 31, 2010

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NY Arts

August 31, 2009

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Time Out New York

April 23, 2009

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Artforum

April 20, 2009

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The New York Times

April 12, 2009

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Nylon

March 31, 2009

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Art + Auction In the Studio

February 28, 2009

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Bomb Number 107 / Spring 2009

February 28, 2009

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Wynwood

November 30, 2008

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Wound Issue 4 / Autumn 2008

September 30, 2008

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Trace

March 31, 2008

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Whitewall

December 31, 2007

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Modern Painters

November 30, 2007

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas


Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas brings together three generations of contemporary American artists, whose work challenges a Western painting tradition that underrepresents people of color. The vibrant and monumental paintings by these artists offer bold perspectives on Black culture and representation. Presented together for the first time, the figurative paintings of Colescott, Marshall, and Thomas are shaped by distinctive historic events, unique in style, and united in questioning the narratives of history through Black experience.

 

The works of these artists together reassess both history painting and history itself through layered references to paintings from the European art history canon. History painting began in 15th-century Europe and traditionally featured imagery that demonstrated the power and the values of the ruling elite. Missing from these works of art were the histories of people of color told on their own terms. In their portrayals, Colescott, Marshall, and Thomas provide testimony centered on Black perspectives in a contemporary context.

 

Robert Colescott's paintings speak to the history of colonization by examining the inherited human condition. Full of symbols, Colescott critiques society as a whole through the use of irony and sarcasm. The protagonists of his paintings bear the burden of the history of racism as he works to set the historical record straight.

 

Unlike Colescott, Kerry James Marshall aims to create artworks that continue the canon of European art history but enrich it with a Black aesthetic. Overwhelmed by the prevalence of white figures and symbols in art history, Marshall's paintings in the Souvenir series focus on Black history as reconciliation.

 

Mickalene Thomas, meanwhile, engages with the history of modernism in her use of pattern, fabric, and fragmented images which reference cubist imagery. The female figures arranged in challenging poses throughout her work gives new agency to the female form, long placed as passive in European art history. For this exhibition she has created three new works that expand her work in new dynamic directions. In addition, two installations will be in the galleries for visitors to interact with as examples of the sets Thomas builds for her models.