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Gilbert & George: Art Exhibition

June 14 – November 2, 2014

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Gilbert & George

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Gilbert & George to create gallery in London's East End The Guardian

June 5 2016

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Video Exclusive: Gilbert & George's F**kosophy ARTINFO

December 30 2015

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The Genius of Gilbert & George's Pictures at MONA Tasmania ARTINFO

December 12 2015

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Seeing red: Gilbert & George still fired up after more than 40 years of making art Sydney Morning Herald

November 27 2015

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My London: Gilbert & George Christie's

October 15 2015

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Daily Life as Art in Gilbert & George's Early Works Hyperallergic

July 24 2015

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The Wall Street Journal

September 5, 2014

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Artforum

August 1, 2014

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Hyperallergic

July 30, 2014

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Time Out New York

July 10-16, 2014

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Gilbert & George: Art Exhibition Nouveau Musée National de Monaco - Villa Paloma, Monaco

June 14-November 2, 2014

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The New York TImes

July 18, 2013

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Gallerist NY

July 18, 2013

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Whitewall

Winter 2013

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ARTnews

October 2012

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Art Unlimited 2012 at Art | 43 | Basel Gilbert & George: A LONDON PICTURE

14-17 June 2012

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New York Magazine

May 14, 2012

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Huffington Post

May 8, 2012

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V Magazine

May 3, 2012

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Art in America

May 1, 2012

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Artspace

April 30, 2012

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LONDON PICTURES Book Signing Gilbert & George

April 28, 2012, 1-3 PM

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Wall Street Journal

April 28, 2012

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Artinfo

April 27, 2012

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New York Observer: Gallerist NY

April 24, 2012

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The Guardian

March 2, 2012

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The Economist

March 1, 2012

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The Talks

September 7, 2011

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Artinfo

March 3, 2011

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The Independent

January 27, 2011

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London Evening Standard

January 7, 2011

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Art In America

July 16, 2010

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New York Times Provocative Duo, Naked and Natty

October 3, 2008

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Art In America The Human Theater of Gilbert & George

September 30, 2008

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New York Times Style Magazine

December 1, 2007

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Modern Painters

May 1, 2007

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Art + Auction

July 1, 2005

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Modern Painters

June 1, 2005

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Artforum

March 1, 2005

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ARTnews

February 22, 2005

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Art in America

February 1, 2005

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New York Times

December 3, 2004

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ArtReview

July 1, 2004

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Art in America

October 1, 1997

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Paper

June 1, 1997

Paper


GILBERT & GEORGE

That Gilbert & George, one of the most enduring artist partnerships, resemble bankers more than controversial artists is one of the many double plays that makes them so fascinating. For over 30 years, this British duo has created sculpture using photographs and their own bodies. Aptly, a dual showing of their photo-based work—at the young upstart gallery Lehmann Maupin (39 Greene St.) and the veteran Sonnabend (420 W. Broadway), their New York dealer since the late 60's—is a tour de force of what they do best: shock and seduce the viewer. "Art has to be subversive," they have long claimed, and these new works do not disappoint. Much as a painter uses pigments or a sculptor uses clay, Gilbert & George have chosen bodily fluids as their medium for this new series, titled "The Fundamental Pictures." Microscopic samples of blood, spittle, urine, feces and seminal fluid (hence such willfully provocative titles as Blood on Shit, Piss on Us and Spunk Blood Piss Shit Spit) have been photographically enlarged and arranged in tastefully modernist grids. With their clear, saturated colors of red, white, yellow, brown and black, the 39 works on view through June 28 at both galleries (including Blood and Piss Piss Piss) resemble the best of post-Pop pranksterism as well as stained-glass windows from a profane and playful church of the life spirit.